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Showing posts with label film. Show all posts
Showing posts with label film. Show all posts
Tuesday, September 15, 2009
SEP 16: See Megan Fox & Panic At the Disco live at H&H
Friday, September 4, 2009
SEP 4: Ghostbusters 1&2 (Aero) + WATCH ORIGINAL MTV GHOSTBUSTERS VIDEO (RAY PARKER JR ROCKS!)
September 4. Staycation Day 1. Who you gonna call?
How about director Ivan Reitman and his trusty trio of
Bill Murray, Dan Ackroyd and Harold Ramis?
And don't forget Rick Moranis, Sigourney Weaver and Annie Potts.
The original Ghost Busters (1984) is brilliantly written and acted,
and celebrates its 25th anniversary this year, so go have a great time.
Don't forget to sing along to Ray Parker Jr.'s infectious theme!
Ghostbusters 1 & 2
Fri., September 4
7:30pm
Aero Theatre
on Montana, Santa Monica
Tickets: $10
Ghostbusters - Official Site
Below is a little treat - the original Ghostbusters music video
featuring Ray Parker Jr.'s catchy themesong,
which first aired on MTV circa 1984.
See if you can name all the stars who did cameos
(including a current US Senator, a former head of SAG,
the first anchor of "Weekend Update", stars of "Taxi" and "Cheers",
the Simon siren, a terrific Teri, that cool Columbo and more).
How about director Ivan Reitman and his trusty trio of
Bill Murray, Dan Ackroyd and Harold Ramis?
And don't forget Rick Moranis, Sigourney Weaver and Annie Potts.
The original Ghost Busters (1984) is brilliantly written and acted,
and celebrates its 25th anniversary this year, so go have a great time.
Don't forget to sing along to Ray Parker Jr.'s infectious theme!
Ghostbusters 1 & 2
Fri., September 4
7:30pm
Aero Theatre
on Montana, Santa Monica
Tickets: $10
Ghostbusters - Official Site
Below is a little treat - the original Ghostbusters music video
featuring Ray Parker Jr.'s catchy themesong,
which first aired on MTV circa 1984.
See if you can name all the stars who did cameos
(including a current US Senator, a former head of SAG,
the first anchor of "Weekend Update", stars of "Taxi" and "Cheers",
the Simon siren, a terrific Teri, that cool Columbo and more).
Friday, August 7, 2009
AUG 7: CAPER COMEDY "ROCK SLYDE" KICKS OFF FEEL GOOD FILM FEST (WARBURTON! ALEXANDER! DICK!)
Event Listing posted by Don Rose
Info from the website for new film comedy "Rock Slyde":
"Rock Slyde" LA Premiere - Opening film of the Feel Good Film Festival
Info from the website for new film comedy "Rock Slyde":
"Rock Slyde" LA Premiere - Opening film of the Feel Good Film Festival
When: Fri, August 7, 5:30pm
Where: Egyptian Theatre (Hollywood Blvd at Las Palmas, Hollywood)
Description: The LA premiere at the historic Egyptian Theatre,
site of the first ever Hollywood premiere in the early 1900's.
5:30 - 8 - "Yellow Carpet" / Free Food / Free Vodka in the Egyptian Courtyard.
8 - 10:30 - 2 shorts then the screening of "Rock Slyde".
10:30 Q&A - Patrick Warburton, Elaine Hendrix and several others scheduled to attend.
(Ed. Note: co-stars Andy Dick and Jason Alexander expected!)
11pm - 1 am - "Rock Slyde" afterparty (details TBD).
Wednesday, July 1, 2009
LAFF: LAFFING, LOVING, LIVING LEGENDS ("LOUD"), LIVELY LOUNGE AT LA's LEADING LOLLAFILMFESTIVALOOZA
Festival Recap by Don Rose
LAFFING: there were comedies galore at this year's fest. "Cold Souls" was the hottest Dark SciFantasyComedy of the fest (okay, the only one), and the director said it was inspired by a dream she had in which she and Woody Allen are in a waiting room holding boxes containing their souls. (Dream analysis, anyone?) Paul Giamatti stars as himself; after undergoing a procedure to store his soul, it winds up getting smuggled out of the country and into a female actress who suddenly displays his great acting prowess. (Yes, the plot is kinda Kaufmanesque.)
LOVING: the LAFF is known for showcasing quirky tales of attraction action, and this year brought unique love stories. For example, "Paper Heart" (starring buzzworthy actors Michael Cera and Charlyne Yi) and "Paper Man" (the Jeff Daniels / Ryan Reynolds dramedy that gets The LA Report's Find of the Fest award), which kept audiences elated and enthralled.
LIVING LEGENDS: several made appearances, both live and onscreen, especially those in the (artificial yet artful) category Music Legends In Documentaries. Two living Doors (Ray Manzarek and Robbie Krieger) attended a screening of the new Doors doc "When You're Strange" (my favorite film of the fest). And there was white-haired Jimmy Page and Jack White at the premiere of the doc that features Page, White and The Edge -- "It Might Get Loud" -- as well as at the afterparty held at the Hotel Palomar (a spiffy recently-opened hotel at the corner of Wilshire and Selby, with a superb restaurant that served delicious sliders and other delectables at the party). In the arena of sports, "Facing Ali" featured many legends of yesteryear; this doc showcases the select group of boxers who took on the best boxer ever, and now share what it was like to fight The Greatest.
LOUDNESS: In addition to "It Might Get Loud" there was the loud (and now lucrative) sequel of "Transformers" to transfix festivalgoers' eyes and ears. And at the Ford Amphitheatre, "Soul Power" served up some soul-shaking sounds in its tale of the superstar R&B concert that took place at the time of the 1974 Zaire Ali-Foreman fight (yes, Ali was one recurring theme of this year's fest).
LIVELY LOUNGE: The Zone Perfect lounge was the central meeting/partying point during
this year's LAFF. Loved the interactive word wall and painting area. On one especially lively night, actress/comedienne Charlyne Yi showed she is a musician too (one with many rough yet endearing edges) as she rocked the lounge with her eclectic duo Glass Beef. Matt Nathanson also rocked the Lounge, on the final evening, as part of a special VH1 Save the Music night.
LLYN's LORE: at a Reel Talk event held poolside at the W Hotel (the first of 3 such panels over 3 consecutive days), lore about days of yore came forth from artist Llyn Foulkes, who was perhaps the most passionate of the panelists at this panel on art and design in film. He talked of a pivotal point in his art career when, instead of selling out like some others did, he took a different, less-lucrative road in order to keep true to his art - and heart. Was there a tinge of regret in his voice, or was it pride in pursuing the path he ultimately forged over the path of easy money? Hard to tell, but moments like that kept the panel in high thought-provoking gear, and proved that drama is not just found in the films of a festival.
LAFF's LEADING LIST: Leaving LAFF leads some to ask, "what were LAFF's hottest films?" Hard to decide, but here is The LA Report's Excellent Eight: Paper Man, Paper Heart, Cold Souls, Soul Power, No Impact Man, When You're Strange, It Might Get Loud, Facing Ali. These got the most buzz and crowds. However, there were dozens more movies just as heartfelt at the fest and, with time, may garner just as much attention.
All in all, LAFF 2009 was a well-run and supremely entertaining film festival, and we highly recommend you attend LAFF 2010 next summer. (Our one suggestion for timely retro programming next year: a screening of "2010", the sequel to "2001"; while it may not enjoy the classic status of the original, it's still a stellar film!)
LAFFING: there were comedies galore at this year's fest. "Cold Souls" was the hottest Dark SciFantasyComedy of the fest (okay, the only one), and the director said it was inspired by a dream she had in which she and Woody Allen are in a waiting room holding boxes containing their souls. (Dream analysis, anyone?) Paul Giamatti stars as himself; after undergoing a procedure to store his soul, it winds up getting smuggled out of the country and into a female actress who suddenly displays his great acting prowess. (Yes, the plot is kinda Kaufmanesque.)
LOVING: the LAFF is known for showcasing quirky tales of attraction action, and this year brought unique love stories. For example, "Paper Heart" (starring buzzworthy actors Michael Cera and Charlyne Yi) and "Paper Man" (the Jeff Daniels / Ryan Reynolds dramedy that gets The LA Report's Find of the Fest award), which kept audiences elated and enthralled.
LIVING LEGENDS: several made appearances, both live and onscreen, especially those in the (artificial yet artful) category Music Legends In Documentaries. Two living Doors (Ray Manzarek and Robbie Krieger) attended a screening of the new Doors doc "When You're Strange" (my favorite film of the fest). And there was white-haired Jimmy Page and Jack White at the premiere of the doc that features Page, White and The Edge -- "It Might Get Loud" -- as well as at the afterparty held at the Hotel Palomar (a spiffy recently-opened hotel at the corner of Wilshire and Selby, with a superb restaurant that served delicious sliders and other delectables at the party). In the arena of sports, "Facing Ali" featured many legends of yesteryear; this doc showcases the select group of boxers who took on the best boxer ever, and now share what it was like to fight The Greatest.
LOUDNESS: In addition to "It Might Get Loud" there was the loud (and now lucrative) sequel of "Transformers" to transfix festivalgoers' eyes and ears. And at the Ford Amphitheatre, "Soul Power" served up some soul-shaking sounds in its tale of the superstar R&B concert that took place at the time of the 1974 Zaire Ali-Foreman fight (yes, Ali was one recurring theme of this year's fest).
LIVELY LOUNGE: The Zone Perfect lounge was the central meeting/partying point during
this year's LAFF. Loved the interactive word wall and painting area. On one especially lively night, actress/comedienne Charlyne Yi showed she is a musician too (one with many rough yet endearing edges) as she rocked the lounge with her eclectic duo Glass Beef. Matt Nathanson also rocked the Lounge, on the final evening, as part of a special VH1 Save the Music night.
LLYN's LORE: at a Reel Talk event held poolside at the W Hotel (the first of 3 such panels over 3 consecutive days), lore about days of yore came forth from artist Llyn Foulkes, who was perhaps the most passionate of the panelists at this panel on art and design in film. He talked of a pivotal point in his art career when, instead of selling out like some others did, he took a different, less-lucrative road in order to keep true to his art - and heart. Was there a tinge of regret in his voice, or was it pride in pursuing the path he ultimately forged over the path of easy money? Hard to tell, but moments like that kept the panel in high thought-provoking gear, and proved that drama is not just found in the films of a festival.
LAFF's LEADING LIST: Leaving LAFF leads some to ask, "what were LAFF's hottest films?" Hard to decide, but here is The LA Report's Excellent Eight: Paper Man, Paper Heart, Cold Souls, Soul Power, No Impact Man, When You're Strange, It Might Get Loud, Facing Ali. These got the most buzz and crowds. However, there were dozens more movies just as heartfelt at the fest and, with time, may garner just as much attention.
All in all, LAFF 2009 was a well-run and supremely entertaining film festival, and we highly recommend you attend LAFF 2010 next summer. (Our one suggestion for timely retro programming next year: a screening of "2010", the sequel to "2001"; while it may not enjoy the classic status of the original, it's still a stellar film!)
Monday, June 29, 2009
NEW "LOOKIN' TO GET OUT" ASHBY CUT SCREENS AT ALL-STAR EVENT AS JON VOIGHT, ANN-MARGRET, BURT YOUNG, HASKELL WEXLER REUNITE FOR PANEL; DVD OUT JUN 30
Event Review by Don Rose
It was the perfect coda to the just-ended LA Film Festival. Officially, the Hammer Museum event was billed as a screening of LOOKIN' TO GET OUT, the 1982 film directed by Hal Ashby. By the time it took place, the night had blossomed into an all-star tribute to the late director -- another triumph for UCLA's "Archive Treasures", which "showcases works from the UCLA Film & Television Archive's extensive collection, ... rarely screened gems presented in original and restored prints." The packed audience on June 29 enjoyed the first public screening of a director's cut of Lookin' to Get Out with never-before-seen footage put back in. Recently discovered at the Archive by Nick Dawson - author of "Being Hal Ashby: Life of a Hollywood Rebel" - this version represents Ashby's original, intended cut before Lorimar Productions took control of the film and released its own version in theaters 27 years ago. This version reveals Ashby, an Oscar-winning editor (In The Heat of the Night) and director (Coming Home), working at the top of his game, and will make its Warner Home Video DVD debut on Tuesday, June 30.
**UPDATE: NICK DAWSON INTERVIEWED ON KCRW'S "THE TREATMENT" 230pm JULY 1, 89.9 FM**
Starring Jon Voight, who co-wrote the script with Alan Schwartz, Lookin' to Get Out follows "beautiful losers" Alex (Voight) and Jerry (Burt Young), who flee New York for Las Vegas with two vicious loan sharks on their tail. After Alex scams their way into a penthouse at the MGM Grand and a stack of chips on credit -- with the unwitting help of Alex's ex-girlfriend (Ann-Margret) -- the two buddies set their sights on the big score but fate comes calling. On his fourth outing with cinematographer Haskell Wexler, Ashby revels in exposing the glittering facades of Vegas, but where his most celebrated films engage the larger zeitgeist through irony and humor, here Ashby narrows focus to burrow deep into the nature of personal loyalty and friendship. As the obsessive-compulsive gambler Alex, Voight delivers a fun, lively, energetic performance that pairs well with Young's understated Jerry. Voight says this of the discovery of the new extended version: "For various reasons, the film we released didn't really represent Hal's best work. I knew every version of the script and every cut, so I was understandably excited when I heard about this, yet I also didn't want to be disappointed. But when I saw it, I knew instantly it had Hal's touch. The way he took all the elements and made it his own, it was almost like we were working together again. When Hal Ashby cut his films himself, it was magic.
The trajectory of Ashby's career turns sharply from the phenomenal promise and success of the 1970s -- The Landlord, Harold and Maude, The Last Detail, Coming Home, Being There -- to the self-destruction and decline of the 1980s. The special screening on June 29 presented a version of Lookin' to Get Out that adds a wrinkle to this critical divide between Ashby's early and later works. The film also has the distinction of featuring a very young Angelina Jolie, Voight's daughter, in her acting debut - as the daughter of Voight's character.
The Ashby evening at the Hammer was wonderful all around. It began with a reception and book signing by Ashby biographer Dawson in the courtyard. Then everyone moved to the Billy Wilder Theatre, where Voight shared a few heartfelt comments before the film. After the screening, one of the best panels ever gathered at the Hammer took the stage, an all-star reunion of the film's primary creative forces: actor/screenwriter Voight; co-screenwriter Schwartz; actress Ann-Margret; actor Young; and cinematographer Wexler. Dawson also joined the panel, which was moderated by screenwriter-director Curtis Hanson. Other actors and creatives involved with this film and other Ashby works were in attendance, and Voight asked them to stand up and receive recognition; to my surprise, it seemed like half the audience stood up. Legendary casting director Lynn Stalmaster was there, who said a few words, as did Ashby's daughter; three other main actors from Lookin' to Get Out (the loan sharks and the casino owner) were also in the audience, as was Voight's son.
LOOKIN' TO GET OUT (1982). Directed by Hal Ashby. Lorimar Productions. Producer: Robert Schaffel, Edward Teets. Screenplay: Al Schwartz, Jon Voight. Cinematographer: Haskell Wexler. Cast: Jon Voight, Ann-Margret , Burt Young, Bert Remsen, Jude Farese. HDcam, 105 min. Extended version released by Warner Home Video on DVD Tuesday, June 30, 2009.
It was the perfect coda to the just-ended LA Film Festival. Officially, the Hammer Museum event was billed as a screening of LOOKIN' TO GET OUT, the 1982 film directed by Hal Ashby. By the time it took place, the night had blossomed into an all-star tribute to the late director -- another triumph for UCLA's "Archive Treasures", which "showcases works from the UCLA Film & Television Archive's extensive collection, ... rarely screened gems presented in original and restored prints." The packed audience on June 29 enjoyed the first public screening of a director's cut of Lookin' to Get Out with never-before-seen footage put back in. Recently discovered at the Archive by Nick Dawson - author of "Being Hal Ashby: Life of a Hollywood Rebel" - this version represents Ashby's original, intended cut before Lorimar Productions took control of the film and released its own version in theaters 27 years ago. This version reveals Ashby, an Oscar-winning editor (In The Heat of the Night) and director (Coming Home), working at the top of his game, and will make its Warner Home Video DVD debut on Tuesday, June 30.
**UPDATE: NICK DAWSON INTERVIEWED ON KCRW'S "THE TREATMENT" 230pm JULY 1, 89.9 FM**
Starring Jon Voight, who co-wrote the script with Alan Schwartz, Lookin' to Get Out follows "beautiful losers" Alex (Voight) and Jerry (Burt Young), who flee New York for Las Vegas with two vicious loan sharks on their tail. After Alex scams their way into a penthouse at the MGM Grand and a stack of chips on credit -- with the unwitting help of Alex's ex-girlfriend (Ann-Margret) -- the two buddies set their sights on the big score but fate comes calling. On his fourth outing with cinematographer Haskell Wexler, Ashby revels in exposing the glittering facades of Vegas, but where his most celebrated films engage the larger zeitgeist through irony and humor, here Ashby narrows focus to burrow deep into the nature of personal loyalty and friendship. As the obsessive-compulsive gambler Alex, Voight delivers a fun, lively, energetic performance that pairs well with Young's understated Jerry. Voight says this of the discovery of the new extended version: "For various reasons, the film we released didn't really represent Hal's best work. I knew every version of the script and every cut, so I was understandably excited when I heard about this, yet I also didn't want to be disappointed. But when I saw it, I knew instantly it had Hal's touch. The way he took all the elements and made it his own, it was almost like we were working together again. When Hal Ashby cut his films himself, it was magic.
The trajectory of Ashby's career turns sharply from the phenomenal promise and success of the 1970s -- The Landlord, Harold and Maude, The Last Detail, Coming Home, Being There -- to the self-destruction and decline of the 1980s. The special screening on June 29 presented a version of Lookin' to Get Out that adds a wrinkle to this critical divide between Ashby's early and later works. The film also has the distinction of featuring a very young Angelina Jolie, Voight's daughter, in her acting debut - as the daughter of Voight's character.
The Ashby evening at the Hammer was wonderful all around. It began with a reception and book signing by Ashby biographer Dawson in the courtyard. Then everyone moved to the Billy Wilder Theatre, where Voight shared a few heartfelt comments before the film. After the screening, one of the best panels ever gathered at the Hammer took the stage, an all-star reunion of the film's primary creative forces: actor/screenwriter Voight; co-screenwriter Schwartz; actress Ann-Margret; actor Young; and cinematographer Wexler. Dawson also joined the panel, which was moderated by screenwriter-director Curtis Hanson. Other actors and creatives involved with this film and other Ashby works were in attendance, and Voight asked them to stand up and receive recognition; to my surprise, it seemed like half the audience stood up. Legendary casting director Lynn Stalmaster was there, who said a few words, as did Ashby's daughter; three other main actors from Lookin' to Get Out (the loan sharks and the casino owner) were also in the audience, as was Voight's son.
LOOKIN' TO GET OUT (1982). Directed by Hal Ashby. Lorimar Productions. Producer: Robert Schaffel, Edward Teets. Screenplay: Al Schwartz, Jon Voight. Cinematographer: Haskell Wexler. Cast: Jon Voight, Ann-Margret , Burt Young, Bert Remsen, Jude Farese. HDcam, 105 min. Extended version released by Warner Home Video on DVD Tuesday, June 30, 2009.
LAFF REVIEW: "ELECTION" STILL GETS A "10" VOTE 10 YEARS AFTER DEBUT
by Don Rose
"ELECTION" still gets my vote. Loved this movie. The acting is stellar, especially Reese
Witherspoon (as type-A overachieving high school student Tracy Flick, who desperately wants to win the election for student body president) and Matthew Broderick (as civics teacher Jim McAllister, who wants to stop her because of her willingness to step on anyone and do anything, even if unethical, to win). The other two main characters are Paul (the popular jock who Jim convinces to run against Tracy) and his sister Tammy (who also runs for student body president to spite Paul and his new girlfriend Lisa, who spurned Tammy's deep affections).
Alexander Payne's direction is top notch. He unwinds the plot like a chess game, with each
of the four main characters like a piece that is developed slowly but surely, and Payne helps the viewer by giving an inside view of each one's thoughts via voiceovers delivered at key moments in the film. These VOs are often hilarious, but they also help reveal each character's goals, style and motivation. Whereas most films have one narrator at most, we get four, and it works.
By the time the film nears its conclusion, each of the main characters has moved on from the
high school where everything began and is in a better place, even Jim. It's as if Jim has finally graduated, even though he was a teacher not a student. He has graduated from a not-fully-alive phase in his life. His life had been stalled up to the school election; he was not really happy at home, and as Flick points out (in one of her narrative voiceover commentaries), Jim seemed to be stuck in a boring repeating pattern at school, teaching the same thing over and over, year after year. He was no longer vibrant and vital, living a small, impotent life -- which is underscored terrifically by what we see onscreen (e.g., the terrible tiny car Jim drives, and the fact that he is having trouble getting his wife pregnant during the film). Perhaps the real reason Jim despises Flick so much is that, although she lies and schemes to achieve her goals, at least she is trying to get ahead, to get to a better place, whereas Jim seems to have given up striving and is now merely surviving.
During the film, however, Jim changes. His actions become increasingly unethical, but he has, in a sense, gotten in touch again with his primal primitive self, both sexually (he allows himself to have a brief fling, with his best friend's ex no less) and emotionally (allowing his anger at Flick's lying and conniving to override his ethical beliefs as he throws out 2 key ballots to prevent Flick from winning the school election, albeit temporarily).
Jim's primal shift is underscored beautifully by visual cues. After Jim has finally allowed
himself access to his dark side (the affair), he suffers a bee sting on the eye when he
returns to the woman's home, and the eye swells to the point where he looks like half human,
half monster. In a way, that is what he is now -- he cheated on his wife, and he cheated in
the election ballot count. The eye swelling shut also emphasizes how Jim cannot see the
right thing to do anymore, blind to his logical ethical side as he gave in to his long-dormant
emotional side. Then, later on, Payne provides more visual cues as to Jim's state when we see
several diorama scenes depicting primitive man at the museum where Jim winds up working
after he loses his job and his wife and moves to the big city. Like primitive man was forced to move and evolve in order to survive in the face of new conditions, so has Jim.
Overall, it was a great film, not only enjoyable to watch but also a great education for budding
filmmakers who could learn a lot by studying the script as well as the direction, with its creative use of visual storytelling techniques. It may not have made a fortune at the box office when it came out a decade ago, but it continues to enjoy a strong following on DVD. The setting was excellent, too. The W Hotel's poolside area was packed to overflowing for this final screening of the LA Film Festival, and all in attendance seemed to have a great time. A wonderful way to end a wonderful week.
Even though this was the last of the films at this year's LAFF, Angelenos are in luck, because the W's poolside film series continues every Sunday, all summer long (with August 2's "Curious Case of Benjamin Button" sure to draw another packed crowd). Just remember: Summer, Sundays, Sundown. Super!
"ELECTION" still gets my vote. Loved this movie. The acting is stellar, especially Reese
Witherspoon (as type-A overachieving high school student Tracy Flick, who desperately wants to win the election for student body president) and Matthew Broderick (as civics teacher Jim McAllister, who wants to stop her because of her willingness to step on anyone and do anything, even if unethical, to win). The other two main characters are Paul (the popular jock who Jim convinces to run against Tracy) and his sister Tammy (who also runs for student body president to spite Paul and his new girlfriend Lisa, who spurned Tammy's deep affections).
Alexander Payne's direction is top notch. He unwinds the plot like a chess game, with each
of the four main characters like a piece that is developed slowly but surely, and Payne helps the viewer by giving an inside view of each one's thoughts via voiceovers delivered at key moments in the film. These VOs are often hilarious, but they also help reveal each character's goals, style and motivation. Whereas most films have one narrator at most, we get four, and it works.
By the time the film nears its conclusion, each of the main characters has moved on from the
high school where everything began and is in a better place, even Jim. It's as if Jim has finally graduated, even though he was a teacher not a student. He has graduated from a not-fully-alive phase in his life. His life had been stalled up to the school election; he was not really happy at home, and as Flick points out (in one of her narrative voiceover commentaries), Jim seemed to be stuck in a boring repeating pattern at school, teaching the same thing over and over, year after year. He was no longer vibrant and vital, living a small, impotent life -- which is underscored terrifically by what we see onscreen (e.g., the terrible tiny car Jim drives, and the fact that he is having trouble getting his wife pregnant during the film). Perhaps the real reason Jim despises Flick so much is that, although she lies and schemes to achieve her goals, at least she is trying to get ahead, to get to a better place, whereas Jim seems to have given up striving and is now merely surviving.
During the film, however, Jim changes. His actions become increasingly unethical, but he has, in a sense, gotten in touch again with his primal primitive self, both sexually (he allows himself to have a brief fling, with his best friend's ex no less) and emotionally (allowing his anger at Flick's lying and conniving to override his ethical beliefs as he throws out 2 key ballots to prevent Flick from winning the school election, albeit temporarily).
Jim's primal shift is underscored beautifully by visual cues. After Jim has finally allowed
himself access to his dark side (the affair), he suffers a bee sting on the eye when he
returns to the woman's home, and the eye swells to the point where he looks like half human,
half monster. In a way, that is what he is now -- he cheated on his wife, and he cheated in
the election ballot count. The eye swelling shut also emphasizes how Jim cannot see the
right thing to do anymore, blind to his logical ethical side as he gave in to his long-dormant
emotional side. Then, later on, Payne provides more visual cues as to Jim's state when we see
several diorama scenes depicting primitive man at the museum where Jim winds up working
after he loses his job and his wife and moves to the big city. Like primitive man was forced to move and evolve in order to survive in the face of new conditions, so has Jim.
Overall, it was a great film, not only enjoyable to watch but also a great education for budding
filmmakers who could learn a lot by studying the script as well as the direction, with its creative use of visual storytelling techniques. It may not have made a fortune at the box office when it came out a decade ago, but it continues to enjoy a strong following on DVD. The setting was excellent, too. The W Hotel's poolside area was packed to overflowing for this final screening of the LA Film Festival, and all in attendance seemed to have a great time. A wonderful way to end a wonderful week.
Even though this was the last of the films at this year's LAFF, Angelenos are in luck, because the W's poolside film series continues every Sunday, all summer long (with August 2's "Curious Case of Benjamin Button" sure to draw another packed crowd). Just remember: Summer, Sundays, Sundown. Super!
Thursday, June 25, 2009
DOORS + DICILLO + DEPP = DARING DEFINITIVE DYNAMITE DOC
Film Review by Don Rose
MICROREVIEW:
Yes, the new Doors doc rocked.
The pains and strains of "When You're Strange"
ranged from the Doors' early days to druggie haze to final daze.
If you are into music and/or the 60s, go see it. If you love the Doors, run to see it.
It will Light Your Fire, you will Love It Madly, and you'll Break On Through to new appreciation of this seminal rock-n-roll-with-a-touch-of-jazz band and its legendary lead singer/poet/icon.
The 2pm LAFF screening June 24 at the Regent Theatre was packed; I had to hustle to get a third row side seat. It was worth the effort. The Doors, that eloquent energetic ever-eclectic electric Elektra ensemble, has been captured by director Tom DiCillo as never before. This is an energetic biopic that doesn't quite feel like one, which is a good thing. No newly shot interviews with friends and bandmembers sprinkled with minimal archival footage, no oversaturation with sycophantic praise. This film feels so alive because it is young, composed entirely of footage and recordings from the Doors glory days, clips from when the Doors were new, alive, pumping out sounds never experienced by everyday ears -- a kind of rock-jazz blend, as John Densmore explained in the film.
Even I, an avowed devoted Doors fan, learned some new things in this doc. A partial list:
* The first song Robby Krieger ever wrote was "Light My Fire" (and it went to number one in the summer of 1967)
* Light My Fire was almost used in a car commercial, but while the other 3 Doors approved the deal, Morrison nixed it (and, as narrator Johnny Depp informs us at film's end, no Doors songs ever went on to be used in any car commercials)
* Morrison apparently had no publicist, picked out his own clothes, and arrived at shows without entourage or bodyguards in many cases
* Ray Manzarek dropped acid (dropped as in gave it up) in favor of meditation
* At the height of Jim's fame and status as counter-culture anti-establishment icon, his dad was as establishment as you can get: an Admiral leading the fight in Vietnam. (Can you have a greater irony? A greater generational gulf within one family? Perhaps that is why a data-sheet filled out by Jim used one word to describe his family: Dead.)
Bottom line, at the risk of being overly abundantly blunt, is that I loved this film. As I left the theatre, I felt alive; the colors all around on the busy bustling Broxton boulevard were vivid and vibrant and packed with potential. A good film has the power to do that, to liberate you and open your senses. The doors of perception, for me, were opened a bit wider, and what more can you ask from a film?
Yet there was more, much more. Reel upon reel of rare footage (much of it never-before-seen by the public) and plenty of great Doors music. I felt I was experiencing the band's entire evolution from an insider's POV, from beginning to end, and some clever editing even raised the always-arisin question of whether Mr Mojo Risin was still alive. In the end, beautiful friend, that question seemed the wrong one to ask. The right one: are we still alive? Thanks to this motion picture, I know the answer is a glorious Yes.
Of course, I was not the only one moved by this movie. Spontaneous applause erupted as the film ended. And then came a nice surprise, as I was informed that half the Doors (Ray and Robbie) had been in attendance today. In recent years I've seen both Ray and Robbie (at different times) walking about Westwood, so perhaps this little Village, just south of UCLA where Ray and Jim went to film school, has once again become the spiritual hub of Doorsian energy. Or maybe they just live nearby and like the Farmers Market (which now takes place on Wednesday afternoons, by the way).
Okay, I admit, this aside of mine was a little strange; for more relevant thoughts, facts and insights about "When You're Strange" see the Tom DiCillo blog as well as the Tom DiCillo interview on Doors.com.
MICROREVIEW:
Yes, the new Doors doc rocked.
The pains and strains of "When You're Strange"
ranged from the Doors' early days to druggie haze to final daze.
If you are into music and/or the 60s, go see it. If you love the Doors, run to see it.
It will Light Your Fire, you will Love It Madly, and you'll Break On Through to new appreciation of this seminal rock-n-roll-with-a-touch-of-jazz band and its legendary lead singer/poet/icon.
The 2pm LAFF screening June 24 at the Regent Theatre was packed; I had to hustle to get a third row side seat. It was worth the effort. The Doors, that eloquent energetic ever-eclectic electric Elektra ensemble, has been captured by director Tom DiCillo as never before. This is an energetic biopic that doesn't quite feel like one, which is a good thing. No newly shot interviews with friends and bandmembers sprinkled with minimal archival footage, no oversaturation with sycophantic praise. This film feels so alive because it is young, composed entirely of footage and recordings from the Doors glory days, clips from when the Doors were new, alive, pumping out sounds never experienced by everyday ears -- a kind of rock-jazz blend, as John Densmore explained in the film.
Even I, an avowed devoted Doors fan, learned some new things in this doc. A partial list:
* The first song Robby Krieger ever wrote was "Light My Fire" (and it went to number one in the summer of 1967)
* Light My Fire was almost used in a car commercial, but while the other 3 Doors approved the deal, Morrison nixed it (and, as narrator Johnny Depp informs us at film's end, no Doors songs ever went on to be used in any car commercials)
* Morrison apparently had no publicist, picked out his own clothes, and arrived at shows without entourage or bodyguards in many cases
* Ray Manzarek dropped acid (dropped as in gave it up) in favor of meditation
* At the height of Jim's fame and status as counter-culture anti-establishment icon, his dad was as establishment as you can get: an Admiral leading the fight in Vietnam. (Can you have a greater irony? A greater generational gulf within one family? Perhaps that is why a data-sheet filled out by Jim used one word to describe his family: Dead.)
Bottom line, at the risk of being overly abundantly blunt, is that I loved this film. As I left the theatre, I felt alive; the colors all around on the busy bustling Broxton boulevard were vivid and vibrant and packed with potential. A good film has the power to do that, to liberate you and open your senses. The doors of perception, for me, were opened a bit wider, and what more can you ask from a film?
Yet there was more, much more. Reel upon reel of rare footage (much of it never-before-seen by the public) and plenty of great Doors music. I felt I was experiencing the band's entire evolution from an insider's POV, from beginning to end, and some clever editing even raised the always-arisin question of whether Mr Mojo Risin was still alive. In the end, beautiful friend, that question seemed the wrong one to ask. The right one: are we still alive? Thanks to this motion picture, I know the answer is a glorious Yes.
Of course, I was not the only one moved by this movie. Spontaneous applause erupted as the film ended. And then came a nice surprise, as I was informed that half the Doors (Ray and Robbie) had been in attendance today. In recent years I've seen both Ray and Robbie (at different times) walking about Westwood, so perhaps this little Village, just south of UCLA where Ray and Jim went to film school, has once again become the spiritual hub of Doorsian energy. Or maybe they just live nearby and like the Farmers Market (which now takes place on Wednesday afternoons, by the way).
Okay, I admit, this aside of mine was a little strange; for more relevant thoughts, facts and insights about "When You're Strange" see the Tom DiCillo blog as well as the Tom DiCillo interview on Doors.com.
BLOGBITE: DIRECTOR DICILLO'S DOORS DAY (Tom DiCillo Blog)
We at The LA Report like to feature fun, well-written, captivating blogs now and then. Now, then, is one of those times, as we recommend you check out the blog of director Tom DiCillo, whose latest film is a wonderful new documentary about The Doors ("When You're Strange"). Here is a brief blog excerpt, a glimpse into one day at Sundance with Tom and the Doors:
1. 17.09.
10 am.
Park City, Utah.
...
I do the morning press with Ray Manzarek and Robby Krieger; I’ll be with John Densmore in the afternoon. The first interview goes well. Ray is hyper but eloquent. Robby is quiet, slipping in brief comments that send out ripples of meaning. Both are highly complimentary about the film. It suddenly penetrates my jetlag that I’m actually sitting with 2 members of The Doors talking about a film I made about their lives.
At the next interview I notice a small keyboard set up across the room. I nudge Ray with a wink. “Why don’t you play something?” “Yeah,” he laughs, ”you know how many times I’ve heard that in my life?”
I leave the room for a moment. Someone starts playing the piano intro to “Riders On the Storm.” I turn and see it’s Ray. Robby is standing beside him strapping on an electric guitar. He checks his volume, then slips into the music. Around the room people’s jaws are dropping. As the song builds Ray’s eyes close, his head goes back. Robby studies his fretboard, a faint smile touching his lips. At that moment they both look 20 years old.
4 pm.
In the middle of an interview with Densmore. He’s sharp and gracious. He’s also the only thing keeping me awake. About 25 other interviews are taking place in the room around us. The jabber is deafening. John gives Oliver Stone some professional respect but then, when asked about Jim his voice takes on a deep, quiet reverence and I see Morrison suddenly come alive in his eyes.
1. 17.09.
10 am.
Park City, Utah.
...
I do the morning press with Ray Manzarek and Robby Krieger; I’ll be with John Densmore in the afternoon. The first interview goes well. Ray is hyper but eloquent. Robby is quiet, slipping in brief comments that send out ripples of meaning. Both are highly complimentary about the film. It suddenly penetrates my jetlag that I’m actually sitting with 2 members of The Doors talking about a film I made about their lives.
At the next interview I notice a small keyboard set up across the room. I nudge Ray with a wink. “Why don’t you play something?” “Yeah,” he laughs, ”you know how many times I’ve heard that in my life?”
I leave the room for a moment. Someone starts playing the piano intro to “Riders On the Storm.” I turn and see it’s Ray. Robby is standing beside him strapping on an electric guitar. He checks his volume, then slips into the music. Around the room people’s jaws are dropping. As the song builds Ray’s eyes close, his head goes back. Robby studies his fretboard, a faint smile touching his lips. At that moment they both look 20 years old.
4 pm.
In the middle of an interview with Densmore. He’s sharp and gracious. He’s also the only thing keeping me awake. About 25 other interviews are taking place in the room around us. The jabber is deafening. John gives Oliver Stone some professional respect but then, when asked about Jim his voice takes on a deep, quiet reverence and I see Morrison suddenly come alive in his eyes.
Tuesday, June 23, 2009
LA FILM FESTIVAL: JUN 23 LAFF HIGHLIGHTS, WHAT TO SEE & DO
Here are the LAFF highlights (LA Film Festival) for Tuesday, June 23, 2009:
1230--130pm: Lunch Talk with "Dear Lemon Lima" director Suzi Yoonessi at the ZonePerfect live.create.lounge, on Westwood Blvd. just north of Kinross.
For LAFF Passholders. Bring your lunch! Dessert provided.
International Showcase Film CARMEN MEETS BORAT- 2:00pm at The Regent
Q & A with director Mercedes Stalenhoef
Narrative Competition Screening DEAR LEMON LIMA, – 4:30pm at The Landmark
Q & A with director Suzi Yoonessi
Documentary Competition Film BRANSON– 4:30pm at The Regent
Q & A with director Brent Meeske and performance by Jackson Cash (I saw Jackson perform after the "Branson" premiere and, believe me, this man looks like Johnny Cash, talks like him, sings like him, swaggers like him! Amazing. Highly recommended.)
1230--130pm: Lunch Talk with "Dear Lemon Lima" director Suzi Yoonessi at the ZonePerfect live.create.lounge, on Westwood Blvd. just north of Kinross.
For LAFF Passholders. Bring your lunch! Dessert provided.
International Showcase Film CARMEN MEETS BORAT- 2:00pm at The Regent
Q & A with director Mercedes Stalenhoef
Narrative Competition Screening DEAR LEMON LIMA, – 4:30pm at The Landmark
Q & A with director Suzi Yoonessi
Documentary Competition Film BRANSON– 4:30pm at The Regent
Q & A with director Brent Meeske and performance by Jackson Cash (I saw Jackson perform after the "Branson" premiere and, believe me, this man looks like Johnny Cash, talks like him, sings like him, swaggers like him! Amazing. Highly recommended.)
FILM SUMMARY: Personal demons and backstage battles cannot deter the performers captured in this heartfelt documentary from living out their dreams of stardom on the strip-mall stages of Branson, Missouri.
DIRECTOR/WRITER: Brent Meeske.
FEATURING: Jackson Cash, Amber Campbell, Geoffrey Hastings Haberer, Peggy Lee Brennan-Haberer, Terry Wayne, Nita Tate, Eric Eichenberger.
International Showcase Film CITY OF BORDERS – 5:00pm at The Landmark
Q & A with director Yun Suh
SHORTS PROGRAM 4 – 7:00pm at The Landmark
Q & A following
Summer Showcase Film 35 SHOTS OF RUM – 7:00pm at The Regent
Q & A following
Festival Conversations POOLSIDE CHAT: REELART L.A. – 7:00pm at the W Los Angeles - Westwood Hotel.
International Showcase Film CITY OF BORDERS – 5:00pm at The Landmark
Q & A with director Yun Suh
SHORTS PROGRAM 4 – 7:00pm at The Landmark
Q & A following
Summer Showcase Film 35 SHOTS OF RUM – 7:00pm at The Regent
Q & A following
Festival Conversations POOLSIDE CHAT: REELART L.A. – 7:00pm at the W Los Angeles - Westwood Hotel.
Featuring a conversation with artist Llyn Foulkes, fashion designer Kevan Hall, production designer Alex McDowell and moderated by director Catherine Hardwicke.
Festival Conversations GRAPHIC EXPLOSION – 7:00pm at The Italian Cultural Institute, 1023 Hilgard.
Festival Conversations GRAPHIC EXPLOSION – 7:00pm at The Italian Cultural Institute, 1023 Hilgard.
Featuring a conversation with Barry Levine, Josh Olson and Zak Penn.
International Spotlight REHJE – 7:30pm at The Landmark
Q & A with co-director Anais Huerta
Centerpiece Premiere PUBLIC ENEMIES, starring Johnny Depp. 7:30pm at the Mann Village Theater & the Majestic Crest Theater.
Matt Mackelcan Musical Performance - 8:00 pm at ZonePerfect live.create. lounge
Documentary Competition BANANAS!* – 9:15pm at The Landmark
Panel Discussion following the screening
International Showcase SACRED PLACES – 9:45pm at The Landmark
Q & A with writer & director Jean-Marie Teno
International Showcase – LOS BASTARDOS – 9:45pm at The Regent
Q & A with writer & director Amat Escalante
International Spotlight REHJE – 7:30pm at The Landmark
Q & A with co-director Anais Huerta
Centerpiece Premiere PUBLIC ENEMIES, starring Johnny Depp. 7:30pm at the Mann Village Theater & the Majestic Crest Theater.
Matt Mackelcan Musical Performance - 8:00 pm at ZonePerfect live.create. lounge
Documentary Competition BANANAS!* – 9:15pm at The Landmark
Panel Discussion following the screening
International Showcase SACRED PLACES – 9:45pm at The Landmark
Q & A with writer & director Jean-Marie Teno
International Showcase – LOS BASTARDOS – 9:45pm at The Regent
Q & A with writer & director Amat Escalante
Thursday, June 18, 2009
JUN 18: “BEYOND THE SECRET” PREMIERES IN HOLLYWOOD, WITH DVD TO BE RELEASED WORLDWIDE JUN 23
by Don Rose
The highly anticipated red carpet premiere of the worldwide DVD release of “Beyond the Secret" is coming to Hollywood on June 18th. The stars of the film, who will be attending the premiere along with several of the celebs they advise, include Bob Proctor (“The Secret”), Emmy award-winning motivational speaker Les Brown, CREATOR OF “BEYOND THE SECRET” HOLLI WALKER, Marcia Wieder (featured on "OPRAH" -- twice!), Paul Martinelli, Steve Siebold, Christian Simpson, Mary Morrissey, Mark Moffitt and Rickie Byars Beckwith.
Bob Proctor 
Les Brown
Beyond the Secret holds the tools to take the ideas taught in "The Secret" and put it into practice in everyday life. Fortunately, fans of "The Secret" will not have to wait long; the DVD for “Beyond the Secret” will be released June 23rd worldwide for all to enjoy, learn from and prosper from.
One of the main messages in both "The Secret" and its sequel is that the destination is never as important as the journey. This is sage advice that has stood the test of time, and has been a hallmark of many spiritual disciples. Another way of looking at it is that, while it is important to have goals to strive for, it is even more important to "Be Here Now" (as Ram Dass says), recognize the "Power of Now" (as Eckhart Tolle says), and enjoy the ride -- while learning along the way. Of course, there are many other secrets to be unlocked in the new DVD, which we can hopefully review here in a future piece.
One of the reasons we at The LA Report love "The Secret" is that it is about tapping into what is already inside of you and all around you in order to create a better and more fulfilling life. Hence, it can benefit every single person on the planet. And God knows our planet needs to get better aligned with peace and productive behavior right now, with all the myriad problems we face, so the worldwide release of "Beyond The Secret" cannot come a moment too soon.
The premiere event on June 18th will begin the process of getting the "Beyond The Secret" message out to the world, and it should be quite a stellar affair. The cast is a phenomenal group of inspirational speakers and teachers, and attendees will enjoy a Q&A with the cast, producers and director after the film screening. Since some of the cast members are personal advisors to (and/or friends of) well known celebrities, who are guided by what they have to say, several celebs are expected to attend the premiere.
Thank you to Lisa Jammal of LJam Public Relations for her assistance on this story. If you are with the media and have questions about "Beyond the Secret", you can contact Lisa at lisa@ljampr.com.
The highly anticipated red carpet premiere of the worldwide DVD release of “Beyond the Secret" is coming to Hollywood on June 18th. The stars of the film, who will be attending the premiere along with several of the celebs they advise, include Bob Proctor (“The Secret”), Emmy award-winning motivational speaker Les Brown, CREATOR OF “BEYOND THE SECRET” HOLLI WALKER, Marcia Wieder (featured on "OPRAH" -- twice!), Paul Martinelli, Steve Siebold, Christian Simpson, Mary Morrissey, Mark Moffitt and Rickie Byars Beckwith.
Bob Proctor Les BrownBeyond the Secret holds the tools to take the ideas taught in "The Secret" and put it into practice in everyday life. Fortunately, fans of "The Secret" will not have to wait long; the DVD for “Beyond the Secret” will be released June 23rd worldwide for all to enjoy, learn from and prosper from.
One of the main messages in both "The Secret" and its sequel is that the destination is never as important as the journey. This is sage advice that has stood the test of time, and has been a hallmark of many spiritual disciples. Another way of looking at it is that, while it is important to have goals to strive for, it is even more important to "Be Here Now" (as Ram Dass says), recognize the "Power of Now" (as Eckhart Tolle says), and enjoy the ride -- while learning along the way. Of course, there are many other secrets to be unlocked in the new DVD, which we can hopefully review here in a future piece.
One of the reasons we at The LA Report love "The Secret" is that it is about tapping into what is already inside of you and all around you in order to create a better and more fulfilling life. Hence, it can benefit every single person on the planet. And God knows our planet needs to get better aligned with peace and productive behavior right now, with all the myriad problems we face, so the worldwide release of "Beyond The Secret" cannot come a moment too soon.
The premiere event on June 18th will begin the process of getting the "Beyond The Secret" message out to the world, and it should be quite a stellar affair. The cast is a phenomenal group of inspirational speakers and teachers, and attendees will enjoy a Q&A with the cast, producers and director after the film screening. Since some of the cast members are personal advisors to (and/or friends of) well known celebrities, who are guided by what they have to say, several celebs are expected to attend the premiere.
Thank you to Lisa Jammal of LJam Public Relations for her assistance on this story. If you are with the media and have questions about "Beyond the Secret", you can contact Lisa at lisa@ljampr.com.
Friday, June 12, 2009
WHEN LARRY MET WOODY: CAN TWO BESPECTACLED BROOKLYN KVETCHERS USE "WHATEVER WORKS" TO DELIVER THE NON-FEELGOOD MOVIE OF THE YEAR?
Commentary by Don Rose
What more do you want, fans of kvetching humor? Finally, you got your big screen Dream Team. (And by your I also mean mine.) Which means that, on paper, the new Woody Allen film "Whatever Works" seems to have all the elements of a satisfying comedic-cinematic concoction.
The biggest sign of imminent hilarity is the casting of Larry David, who is arguably the funniest guy on TV right now and could be called this generation's Woody. We all know that he created the iconic ironic George character on Seinfeld, who everyone knows was heavily influenced by Woody and his various Woodyisms (at least in the early episodes of Seinfeld), so it seemed like destiny for Larry and Woody, the jocular Jewish jesters, to eventually work together.
But wait, there's more -- as in more signs of classic comedy to come: the casting of Michael McKean and Ed Begley, Jr., who of late have been regulars in the Christopher Guest film family. David, McKean and Begley (sounds like a law firm, doesn't it?) are all schooled in the skill of improvisational comedic acting, which I am hoping will add some mirth-filled sparks. When working from a work of Woody, I kinda doubt there is much improv going on, but you never know. This only adds to my anticipation for "Whatever Works," which opens in New York and Los Angeles on June 19th.
The title "Whatever Works" not only seems to be part of the underlying message of this movie, but could also apply to how comedians write and perform their humor. One cannot always explain why people laugh at something, and comics are often happily surprised by what works onstage. You take what you can, and try to remember it, and do it again. You do whatever works. Similarly, comedy directors are often surprised by what works, and are happy to grab the magic when it occurs, eager to use whatever works to get the laugh. (Remember: dying is easy; comedy is hard.)
Woody, of course, is the least likely to need comedic chance to evoke large laughs, but the vast comedic experience in much of his cast's past means Woody gave himself the greatest odds of mining gold from his latest script, so he could unearth whatever works to create a knockout comedy. And the best jester for a kvetchfest besides Woody is Larry. David seems just the comedic Ali to deliver Allen punchlines. He could be credited as reinventing the sitcom, and now he's TV comedy's most brilliant (and unlikely) star. Most fans of funny agree that David's HBO show "Curb Your Enthusiasm" has been one giant leap for mirthkind. (Yes, that was a non sequitur nod to Apollo 11, but before you banish me to the desert for 40 days and 40 nights, look at the connections: the first moon landing celebrates its 40th anniversary this July, and this is also the 40th anniversary of Woody's first film as director/star ("Take the Money and Run"), and "Whatever Works" is Allen's 40th film. What more do you want? Okay -- I predict his latest opus will gross $40 million.) Now here's a 40 word summary of "Whatever Works":
Eccentric New Yorker Boris Yellnikoff (Larry David) abandons his upper class life to lead a more bohemian existence. He meets a young Southern girl and her family, and no two people seem to get along in the entanglements that follow.
The film's trailer is available on the Whatever Works website, and reveals laughs aplenty -- a very good sign. Boris is another in the great tradition of Woody Allen surrogate characters (played over the years by stars ranging from Kenneth Branagh to Will Ferrell to, now, Larry David). Boris comes right out and tells you, breaking the Fourth Wall, that this "isn't the feel-good movie of the year" and he isn't a likeable guy. Good. We like David unlikeable. We are used to him playing the ornery complainer who still somehow grows on us, like an amiable barnacle -- and this film thankfully lets David be David, with the added bonus of stellar Allen lines.
However, I have a feeling the ending may reveal more feeling than Boris seems to have on the surface. While this may not be the feel-good movie of the year, it still may be a feel-good movie; we get a taste of a Boris speech at trailer's end hinting at a somewhat optimistic message. Perhaps Woody has finally found a glimmer of meaning in a mostly meaningless universe. And perhaps a feel-goodish ending to a non-feel-good movie is the perfect plot ploy here, since telegraphing one message then veering off to another is a classic comedy formula (most jokes do this -- leading you down road A only to turn onto unexpected road B in the punchline).
In summary, what we seem to have here is a film with fun, funniness, and a fine feel-good final finale. I, for one, can't wait till next week to witness Woody's "Whatever Works" -- and solve the message mystery for myself.
# # #
Find for film freebie fans: a poster for "Whatever Works" - actually autographed by Larry David! - is being given away by those other mavens of mirth, The Onion. Click here for details.
Big Apple big story: To read more about this new movie and its stars, see the recent article in New York magazine featuring Larry and Woody on the cover as the "Last of the Schlemiels". Great article, great cover.
****HEAR LARRY DAVID ON NPR'S "WEEKEND EDITION" - ON MOST NPR STATIONS SATURDAY MORNING JUNE 13**** or online anytime at National Public Radio's website, http://www.npr.org/. Among other things, David discusses his reaction when he got Woody's script and, expecting a small role, saw that his character appears on page 1... and page 50... and at the end! (Looks like it's a Larrypalooza...)
What more do you want, fans of kvetching humor? Finally, you got your big screen Dream Team. (And by your I also mean mine.) Which means that, on paper, the new Woody Allen film "Whatever Works" seems to have all the elements of a satisfying comedic-cinematic concoction.
The biggest sign of imminent hilarity is the casting of Larry David, who is arguably the funniest guy on TV right now and could be called this generation's Woody. We all know that he created the iconic ironic George character on Seinfeld, who everyone knows was heavily influenced by Woody and his various Woodyisms (at least in the early episodes of Seinfeld), so it seemed like destiny for Larry and Woody, the jocular Jewish jesters, to eventually work together.
But wait, there's more -- as in more signs of classic comedy to come: the casting of Michael McKean and Ed Begley, Jr., who of late have been regulars in the Christopher Guest film family. David, McKean and Begley (sounds like a law firm, doesn't it?) are all schooled in the skill of improvisational comedic acting, which I am hoping will add some mirth-filled sparks. When working from a work of Woody, I kinda doubt there is much improv going on, but you never know. This only adds to my anticipation for "Whatever Works," which opens in New York and Los Angeles on June 19th.
The title "Whatever Works" not only seems to be part of the underlying message of this movie, but could also apply to how comedians write and perform their humor. One cannot always explain why people laugh at something, and comics are often happily surprised by what works onstage. You take what you can, and try to remember it, and do it again. You do whatever works. Similarly, comedy directors are often surprised by what works, and are happy to grab the magic when it occurs, eager to use whatever works to get the laugh. (Remember: dying is easy; comedy is hard.)
Woody, of course, is the least likely to need comedic chance to evoke large laughs, but the vast comedic experience in much of his cast's past means Woody gave himself the greatest odds of mining gold from his latest script, so he could unearth whatever works to create a knockout comedy. And the best jester for a kvetchfest besides Woody is Larry. David seems just the comedic Ali to deliver Allen punchlines. He could be credited as reinventing the sitcom, and now he's TV comedy's most brilliant (and unlikely) star. Most fans of funny agree that David's HBO show "Curb Your Enthusiasm" has been one giant leap for mirthkind. (Yes, that was a non sequitur nod to Apollo 11, but before you banish me to the desert for 40 days and 40 nights, look at the connections: the first moon landing celebrates its 40th anniversary this July, and this is also the 40th anniversary of Woody's first film as director/star ("Take the Money and Run"), and "Whatever Works" is Allen's 40th film. What more do you want? Okay -- I predict his latest opus will gross $40 million.) Now here's a 40 word summary of "Whatever Works":
Eccentric New Yorker Boris Yellnikoff (Larry David) abandons his upper class life to lead a more bohemian existence. He meets a young Southern girl and her family, and no two people seem to get along in the entanglements that follow.
The film's trailer is available on the Whatever Works website, and reveals laughs aplenty -- a very good sign. Boris is another in the great tradition of Woody Allen surrogate characters (played over the years by stars ranging from Kenneth Branagh to Will Ferrell to, now, Larry David). Boris comes right out and tells you, breaking the Fourth Wall, that this "isn't the feel-good movie of the year" and he isn't a likeable guy. Good. We like David unlikeable. We are used to him playing the ornery complainer who still somehow grows on us, like an amiable barnacle -- and this film thankfully lets David be David, with the added bonus of stellar Allen lines.
However, I have a feeling the ending may reveal more feeling than Boris seems to have on the surface. While this may not be the feel-good movie of the year, it still may be a feel-good movie; we get a taste of a Boris speech at trailer's end hinting at a somewhat optimistic message. Perhaps Woody has finally found a glimmer of meaning in a mostly meaningless universe. And perhaps a feel-goodish ending to a non-feel-good movie is the perfect plot ploy here, since telegraphing one message then veering off to another is a classic comedy formula (most jokes do this -- leading you down road A only to turn onto unexpected road B in the punchline).
In summary, what we seem to have here is a film with fun, funniness, and a fine feel-good final finale. I, for one, can't wait till next week to witness Woody's "Whatever Works" -- and solve the message mystery for myself.
# # #
Find for film freebie fans: a poster for "Whatever Works" - actually autographed by Larry David! - is being given away by those other mavens of mirth, The Onion. Click here for details.
Big Apple big story: To read more about this new movie and its stars, see the recent article in New York magazine featuring Larry and Woody on the cover as the "Last of the Schlemiels". Great article, great cover.
****HEAR LARRY DAVID ON NPR'S "WEEKEND EDITION" - ON MOST NPR STATIONS SATURDAY MORNING JUNE 13**** or online anytime at National Public Radio's website, http://www.npr.org/. Among other things, David discusses his reaction when he got Woody's script and, expecting a small role, saw that his character appears on page 1... and page 50... and at the end! (Looks like it's a Larrypalooza...)
Tuesday, June 2, 2009
JUN 2 - JUL 28: KCET WESTSIDE CINEMA SERIES OPENS AT THE AERO, PRESENTED BY THE JAMES AND PAULA COBURN FOUNDATION
Pete Hammond Hosts Weekly Series of First-Run Feature Films Prior to Theatrical Release with Q & A Sessions Immediately Following Screenings at the Aero Theatre in Santa Monica
KCET, public television for Southern and Central California, presents a new line-up of films for its KCET Cinema Series, a perennial weekly screening series of Hollywood movies, independent films and foreign pictures shown prior to their theatrical releases, beginning on Tuesday, June 2 at 7:00 p.m. at the Aero Theatre in Santa Monica. Hosted by film expert and journalist Pete Hammond, each film is immediately followed by a Q&A giving attendees the unique the opportunity to meet and discuss the film with filmmakers. The series is generously presented by the James and Paula Coburn Foundation, the estate of the late actor James Coburn and his wife, the late actress Paula Coburn.
The KCET Cinema Series takes place Tuesdays beginning June 2 and concludes on July 28. Tickets are $175 per person. For reservations or to charge by phone, please contact KCET Special Events at (323) 953-5800. All proceeds from the series benefit KCET. KCET members receive a 10 % discount.
The schedule of films is included below; however, there are some dates that have not yet been finalized. All films and guests are subject to change without notice. For more information please visit www.kcet.org/specialevents or call 323.953.5800.
JUNE 2 - The Proposal (Touchstone Pictures)
Sandra Bullock plays a highly successful, tough-as-nails boss who forces her young assistant into an engagement so she can get a green card and avoid deportation. Ryan Reynolds and Betty White co-star in this absolutely hilarious and winning romanticcomedy that promises to be one of the surprise hits of summer. Q&A with director Anne Fletcher
JUNE 9 - The Stoning of Soraya M. (Roadside Attractions)
Direct from the Cannes Film Festival where it was sold internationally, this powerful, controversial and gripping true story set in 1986 tells the story of a reporter whose car breaks down in a small Iranian village where a woman proceeds to tell him thestory of her niece Soraya whose arranged marriage to a tyrant ends tragically. Sure to be one of the most talked about films of the year. Q&A with stars Shohreh Aghdashloo (Oscar® nominee for The House of Sand And Fog), Mozhan Marno and director/co-writer Cyrus Nowrasteh.
JUNE 16 - My Sister’s Keeper (New Line Cinema)
Based on the best selling book, this heart-wrenching story focuses on teenage Anna, a young veteran of many surgeries who seeks medical emancipation from her parents who conceived her as a bone-marrow donor to help keep her older sister, a Leukemiavictim since childhood, alive. From Nick Cassavetes, director of The Notebook. Stars Cameron Diaz, Abigail Breslin, Jason Patric, and Sofia Vassilieva. Q&A with talent from the film and Oscar® Award- winning producer Mark Johnson (Rainman).
JUNE 23 - The Answer Man (Magnolia Pictures)
A huge hit at the Sundance Film Festival, this romantic comedy about Arlen Faber, reclusive author of the 20 year old self-help phenomenon, Me And God, a cult best-seller that positioned him for two decades as the man who had all the answers. His newfound relationship becomes complicated with a single mom searching for answers, but the truth is he doesn’t have a clue. Stars Tony Award nominated actor, Jeff Daniels, Lauren Graham, Lou Taylor Pucci, and Kat Dinnings. Q&A with writer/director John Hindman.
JUNE 30 - Adam (Fox Searchlight Pictures)
Soon after moving in to her new apartment, Beth a brainy, beautiful writer emotionally damaged by a past relationship encounters Adam, the handsome but odd neighbor downstairs whose awkwardness is perplexing. The film is a moving and unusual romanticdrama. It garnered the Alfred P. Sloan dramatic film prize at the 2009 Sundance Film Festival. Stars Hugh Dancy, Rose Byrne, Peter Gallagher, and Amy Irving. Q&A with writer/director Max Mayer
JULY 7 - 500 Days of Summer (Fox Searchlight Pictures)
The film is an offbeat romantic comedy about a woman who doesn’t believe that love exists and the idealistic young man who falls for her head-over-heels. “It’s funny, it’s sweet, it’s romantic and it’s utterly heartbreaking. Without question one of thebest films to grace the Sundance Film Festival and one of the best films anyone will see all year.” – Cinema Blend. Q&A with stars Joseph Gordon-Levitt, Zooey Deschanel, and director Marc Webb.
JULY 14 TBD
JULY 21 TBD
JULY 28 TBD
About KCET
KCET, the West Coast flagship station of PBS, is public television for Southern and Central California. KCET is watched by four million viewers a month in 11 counties, the largest broadcast reach of any public television station in the United States. National PBS series produced from the station’s Hollywood studios include three-time NAACP Award winner Tavis Smiley and the Peabody Award-winning series A Place Of Our Own and Los Niños En Su Casa, produced as part of KCEd™, the station’s educationalprogramming initiative. Other KCET productions for PBS include Sid The Science Kid, co-produced for PBS by KCET and the Henson Company. Currently in production are The Time to Care, the third KCEd production, and WWII: Behind Closed Doors: Stalin, theNazis and the West, a six-hour documentary series premiering on PBS in May 2009. Throughout its more than 40-year history, KCET has won hundreds of major awards for its local and regional news and public affairs programming, its national drama and documentary productions, its quality educational family and children’s programs, itsoutreach and community services, and its Web site, kcet.org. KCET is donor-supported community television. More than half of the funds raised to support KCET’s operating budget come from individual support. For additional information about KCETproductions, Web-exclusive content, programming schedules and community events, please visit www.kcet.org.
About the James and Paula Coburn Foundation
The James and Paula Coburn Foundation (JPCF) is a tax exempt private foundation that supports charitable organizations devoted to the arts and sciences. The foundation is committed to upholding the Coburns’ dedication to local and internationaladvancement through music, art, education, as well as physical and spiritual health.
About Pete Hammond
In his eighth year as host of the KCET Cinema Series, five-time Emmy® nominee Pete Hammond is a writer, producer and film expert whose commentary on the film industry has appeared in The New York Times, Los Angeles Times, USA Today, EntertainmentWeekly, New York Magazine, Ocean Drive, Fox New Channel’s The O’Reilly Factor, NBC Nightly News With Tom Brokaw, Evening News With Brian Williams on MSNBC, the CBC, BBC, Bravo Network, Extra, E! Entertainment and many others. Hammond is currently film critic for Maxim magazine and Maxim Online. He has been a contributor to Variety and V Life, including numerous articles on the Cannes Film Festival, AFI Fest and awards season, as well as a longtime contributor and filmreviewer for Leonard Maltin’s Movie And Video Guide. He has also served as coordinating producer for Access Hollywood, where he ran their movie coverage. He had similar posts at Extra and Entertainment Tonight, where he coordinated that show’s filmcoverage for its first decade on the air. In 1996 he was honored with the Publicists Guild Of America’s Press Award, annually given to “an outstanding member of the press who lends credit to the entertainment industry.”
KCET, public television for Southern and Central California, presents a new line-up of films for its KCET Cinema Series, a perennial weekly screening series of Hollywood movies, independent films and foreign pictures shown prior to their theatrical releases, beginning on Tuesday, June 2 at 7:00 p.m. at the Aero Theatre in Santa Monica. Hosted by film expert and journalist Pete Hammond, each film is immediately followed by a Q&A giving attendees the unique the opportunity to meet and discuss the film with filmmakers. The series is generously presented by the James and Paula Coburn Foundation, the estate of the late actor James Coburn and his wife, the late actress Paula Coburn.
The KCET Cinema Series takes place Tuesdays beginning June 2 and concludes on July 28. Tickets are $175 per person. For reservations or to charge by phone, please contact KCET Special Events at (323) 953-5800. All proceeds from the series benefit KCET. KCET members receive a 10 % discount.
The schedule of films is included below; however, there are some dates that have not yet been finalized. All films and guests are subject to change without notice. For more information please visit www.kcet.org/specialevents or call 323.953.5800.
JUNE 2 - The Proposal (Touchstone Pictures)
Sandra Bullock plays a highly successful, tough-as-nails boss who forces her young assistant into an engagement so she can get a green card and avoid deportation. Ryan Reynolds and Betty White co-star in this absolutely hilarious and winning romanticcomedy that promises to be one of the surprise hits of summer. Q&A with director Anne Fletcher
JUNE 9 - The Stoning of Soraya M. (Roadside Attractions)
Direct from the Cannes Film Festival where it was sold internationally, this powerful, controversial and gripping true story set in 1986 tells the story of a reporter whose car breaks down in a small Iranian village where a woman proceeds to tell him thestory of her niece Soraya whose arranged marriage to a tyrant ends tragically. Sure to be one of the most talked about films of the year. Q&A with stars Shohreh Aghdashloo (Oscar® nominee for The House of Sand And Fog), Mozhan Marno and director/co-writer Cyrus Nowrasteh.
JUNE 16 - My Sister’s Keeper (New Line Cinema)
Based on the best selling book, this heart-wrenching story focuses on teenage Anna, a young veteran of many surgeries who seeks medical emancipation from her parents who conceived her as a bone-marrow donor to help keep her older sister, a Leukemiavictim since childhood, alive. From Nick Cassavetes, director of The Notebook. Stars Cameron Diaz, Abigail Breslin, Jason Patric, and Sofia Vassilieva. Q&A with talent from the film and Oscar® Award- winning producer Mark Johnson (Rainman).
JUNE 23 - The Answer Man (Magnolia Pictures)
A huge hit at the Sundance Film Festival, this romantic comedy about Arlen Faber, reclusive author of the 20 year old self-help phenomenon, Me And God, a cult best-seller that positioned him for two decades as the man who had all the answers. His newfound relationship becomes complicated with a single mom searching for answers, but the truth is he doesn’t have a clue. Stars Tony Award nominated actor, Jeff Daniels, Lauren Graham, Lou Taylor Pucci, and Kat Dinnings. Q&A with writer/director John Hindman.
JUNE 30 - Adam (Fox Searchlight Pictures)
Soon after moving in to her new apartment, Beth a brainy, beautiful writer emotionally damaged by a past relationship encounters Adam, the handsome but odd neighbor downstairs whose awkwardness is perplexing. The film is a moving and unusual romanticdrama. It garnered the Alfred P. Sloan dramatic film prize at the 2009 Sundance Film Festival. Stars Hugh Dancy, Rose Byrne, Peter Gallagher, and Amy Irving. Q&A with writer/director Max Mayer
JULY 7 - 500 Days of Summer (Fox Searchlight Pictures)
The film is an offbeat romantic comedy about a woman who doesn’t believe that love exists and the idealistic young man who falls for her head-over-heels. “It’s funny, it’s sweet, it’s romantic and it’s utterly heartbreaking. Without question one of thebest films to grace the Sundance Film Festival and one of the best films anyone will see all year.” – Cinema Blend. Q&A with stars Joseph Gordon-Levitt, Zooey Deschanel, and director Marc Webb.
JULY 14 TBD
JULY 21 TBD
JULY 28 TBD
About KCET
KCET, the West Coast flagship station of PBS, is public television for Southern and Central California. KCET is watched by four million viewers a month in 11 counties, the largest broadcast reach of any public television station in the United States. National PBS series produced from the station’s Hollywood studios include three-time NAACP Award winner Tavis Smiley and the Peabody Award-winning series A Place Of Our Own and Los Niños En Su Casa, produced as part of KCEd™, the station’s educationalprogramming initiative. Other KCET productions for PBS include Sid The Science Kid, co-produced for PBS by KCET and the Henson Company. Currently in production are The Time to Care, the third KCEd production, and WWII: Behind Closed Doors: Stalin, theNazis and the West, a six-hour documentary series premiering on PBS in May 2009. Throughout its more than 40-year history, KCET has won hundreds of major awards for its local and regional news and public affairs programming, its national drama and documentary productions, its quality educational family and children’s programs, itsoutreach and community services, and its Web site, kcet.org. KCET is donor-supported community television. More than half of the funds raised to support KCET’s operating budget come from individual support. For additional information about KCETproductions, Web-exclusive content, programming schedules and community events, please visit www.kcet.org.
About the James and Paula Coburn Foundation
The James and Paula Coburn Foundation (JPCF) is a tax exempt private foundation that supports charitable organizations devoted to the arts and sciences. The foundation is committed to upholding the Coburns’ dedication to local and internationaladvancement through music, art, education, as well as physical and spiritual health.
About Pete Hammond
In his eighth year as host of the KCET Cinema Series, five-time Emmy® nominee Pete Hammond is a writer, producer and film expert whose commentary on the film industry has appeared in The New York Times, Los Angeles Times, USA Today, EntertainmentWeekly, New York Magazine, Ocean Drive, Fox New Channel’s The O’Reilly Factor, NBC Nightly News With Tom Brokaw, Evening News With Brian Williams on MSNBC, the CBC, BBC, Bravo Network, Extra, E! Entertainment and many others. Hammond is currently film critic for Maxim magazine and Maxim Online. He has been a contributor to Variety and V Life, including numerous articles on the Cannes Film Festival, AFI Fest and awards season, as well as a longtime contributor and filmreviewer for Leonard Maltin’s Movie And Video Guide. He has also served as coordinating producer for Access Hollywood, where he ran their movie coverage. He had similar posts at Extra and Entertainment Tonight, where he coordinated that show’s filmcoverage for its first decade on the air. In 1996 he was honored with the Publicists Guild Of America’s Press Award, annually given to “an outstanding member of the press who lends credit to the entertainment industry.”
Thursday, May 28, 2009
MAY 29-30: SECRET ROOM EVENTS PRESENTS ITS 2009 MTV MOVIE AWARDS CELEBRITY GIFT LOUNGE
Featured Event preview by Don Rose
Secret Room Events is known for producing excellent VIP gift suites for top talent and media in advance of major Hollywood awards. This weekend, their latest suite honors the 2009 MTV Movie Awards. Secret Room Gifting Suites are well known for their luxurious items, posh spaces and elite clientele, as recently seen in US Weekly, People Magazine and OK! Magazine. Invites are reserved for such A-Listers as Britney Spears, Paris Hilton, Eva Longoria and the Jonas Brothers.
Their event this Friday and Saturday, taking place at the beautiful SLS hotel, promises to be one of their best ever. For those lucky enough to score an exclusive invite, you will be pampered with the best products, from the best companies.
For example, New York based skincare company Donell Skin has been chosen as a beauty best and will be featuring their top five, one of a kind products: Donell AHA 20 – for celebrity smooth elbows, knees and more, Donell Facial Cleanser – a glycolic wash for super glowing skin, Donell Mini Microdermabrasion – their most coveted facial scrub, Donell Lip Saver – Lip Balm at its finest, and Donell BooBoo Cream – which has been called magic in a pump. More on Donell Skin can be found online at www.donellskin.com.
More information on the Secret Room Events 2009 MTV Movie Awards Style Lounge can be found below. The MTV Movie Awards will air live on MTV on Sunday May 31, 2009.
Secret Room Events is known for producing excellent VIP gift suites for top talent and media in advance of major Hollywood awards. This weekend, their latest suite honors the 2009 MTV Movie Awards. Secret Room Gifting Suites are well known for their luxurious items, posh spaces and elite clientele, as recently seen in US Weekly, People Magazine and OK! Magazine. Invites are reserved for such A-Listers as Britney Spears, Paris Hilton, Eva Longoria and the Jonas Brothers.
Their event this Friday and Saturday, taking place at the beautiful SLS hotel, promises to be one of their best ever. For those lucky enough to score an exclusive invite, you will be pampered with the best products, from the best companies.
For example, New York based skincare company Donell Skin has been chosen as a beauty best and will be featuring their top five, one of a kind products: Donell AHA 20 – for celebrity smooth elbows, knees and more, Donell Facial Cleanser – a glycolic wash for super glowing skin, Donell Mini Microdermabrasion – their most coveted facial scrub, Donell Lip Saver – Lip Balm at its finest, and Donell BooBoo Cream – which has been called magic in a pump. More on Donell Skin can be found online at www.donellskin.com.
More information on the Secret Room Events 2009 MTV Movie Awards Style Lounge can be found below. The MTV Movie Awards will air live on MTV on Sunday May 31, 2009.
Diana Levitt Markes art party & Marilyn Monroe show debuts online on her Birthday June 1
by Harrison Held
My pal, acclaimed Artist/Actress Diana Levitt Markes, recently hosted a sensational party to celebrate the exhibition of her superb art at Hollywood's famed Women's Club on La Brea. Check out her site at www.DianaLevitt.com. She's a wonderful artist and one of the nicest people I know! Diana was recently seen by the masses in the network promos for the new outrageous "Osbournes Reloaded" show and she was great!
Also in attendance at the party were several guests that appear on my popular local Hollywood Icons talk show, "The Ultimate Marilyn Trilogy". You see Diana's father, acclaimed director F. Hugh Herbert, who directed and wrote the very first film that the beloved Marilyn Monroe ever appeared in, 1948's "Scudda Hoo Scudda Hay". Her cousin is popular actress Kathleen Hughes, known as "Universal's MM" ("It Came from Outer Space", "The Glass Web") and Kathleen's husband is esteemed veteran producer Stanley Rubin, the brains behind Marilyn's classic "River of No Return" in which she sung so beautifully. These 3 wonderful people plus Marilyn's award winning hairdresser Sylvia Barnhart (who made her a blonde in the 1940's) and renowned author John Gilmore ("Inside Marilyn Monroe") appear in the trilogy.
"The Ultimate Marilyn - Volume 3" debuts globally online to celebrate MM's birthday on June 1st. You can experience it at www.HarrisonHeldStarMedia.com. Please check it out and tell your friends! Hundreds of thousands of people around the world have been watching the shows. Thanks for watching and your kind feedback.
My pal, acclaimed Artist/Actress Diana Levitt Markes, recently hosted a sensational party to celebrate the exhibition of her superb art at Hollywood's famed Women's Club on La Brea. Check out her site at www.DianaLevitt.com. She's a wonderful artist and one of the nicest people I know! Diana was recently seen by the masses in the network promos for the new outrageous "Osbournes Reloaded" show and she was great!
Also in attendance at the party were several guests that appear on my popular local Hollywood Icons talk show, "The Ultimate Marilyn Trilogy". You see Diana's father, acclaimed director F. Hugh Herbert, who directed and wrote the very first film that the beloved Marilyn Monroe ever appeared in, 1948's "Scudda Hoo Scudda Hay". Her cousin is popular actress Kathleen Hughes, known as "Universal's MM" ("It Came from Outer Space", "The Glass Web") and Kathleen's husband is esteemed veteran producer Stanley Rubin, the brains behind Marilyn's classic "River of No Return" in which she sung so beautifully. These 3 wonderful people plus Marilyn's award winning hairdresser Sylvia Barnhart (who made her a blonde in the 1940's) and renowned author John Gilmore ("Inside Marilyn Monroe") appear in the trilogy.
"The Ultimate Marilyn - Volume 3" debuts globally online to celebrate MM's birthday on June 1st. You can experience it at www.HarrisonHeldStarMedia.com. Please check it out and tell your friends! Hundreds of thousands of people around the world have been watching the shows. Thanks for watching and your kind feedback.
Thursday, May 21, 2009
MAY 28-29: MELANIE SEGAL'S CELEBRITY GIFT & CHARITY HOUSE RETURNS IN CELEBRATION OF 2009 MTV MOVIE AWARDS
by Don Rose
Melanie Segal’s 5th Annual Celebrity Gift & Charity House will once again celebrate the MTV Movie Awards, and is set to take place on May 28th and May 29th, 2009. This is not just another gift lounge. Melanie's events are well-known for reaching out to charity organizations, and her 2009 MTV Movie Awards House will continue the tradition: in honor of each celebrity who attends, the lounge is donating 100 meals to LA’s needy. Her last event fed 70,000 people thanks to the support of celebrities! For her upcoming 2-day event, celebs will also be asked to sign an arcade game that will be auctioned off for charity.
In return for their presence to support this cause, guests will receive the latest in electronics, jeans and apparel, pet products, bathing suits and jewelry. In addition, Christy’s Hats, Primp Clothing, Vera Wang and Cosabella will be there for guests to enjoy. There also promises to be lots of gifts for men, as well as a Cigar Bar, wine, Wonka Candy, Baskin Robbins ice cream, luxury vacation stays, skincare, massages, manicures, pedicures, eye-lash extensions, glitter & henna tattoos and much more.
According to Ms. Segal, the venue is a gorgeous, private Chateau just steps away from the famed Chateau Marmont -- a 4-story Spanish Castle that will captivate celebrity guests with its handmade custom furniture, 20 foot hand carved ceilings, elevator, spa, billiard room, glass fire pit, relaxation room, 18-seat dining room table, chef's kitchen, and its very own bell tower!
There is much buzz about this event, which is slated to be Melanie's best to date. Stay tuned to The LA Report for more details.
May 28-29, 2009: Melanie Segal’s 5th Annual Celebrity Gift & Charity House. Hollywood, CA. PR contact: Melanie Segal, Platinum Publicity. www.platinumpublicity.com. A TLR Featured Event.
Melanie Segal’s 5th Annual Celebrity Gift & Charity House will once again celebrate the MTV Movie Awards, and is set to take place on May 28th and May 29th, 2009. This is not just another gift lounge. Melanie's events are well-known for reaching out to charity organizations, and her 2009 MTV Movie Awards House will continue the tradition: in honor of each celebrity who attends, the lounge is donating 100 meals to LA’s needy. Her last event fed 70,000 people thanks to the support of celebrities! For her upcoming 2-day event, celebs will also be asked to sign an arcade game that will be auctioned off for charity.
In return for their presence to support this cause, guests will receive the latest in electronics, jeans and apparel, pet products, bathing suits and jewelry. In addition, Christy’s Hats, Primp Clothing, Vera Wang and Cosabella will be there for guests to enjoy. There also promises to be lots of gifts for men, as well as a Cigar Bar, wine, Wonka Candy, Baskin Robbins ice cream, luxury vacation stays, skincare, massages, manicures, pedicures, eye-lash extensions, glitter & henna tattoos and much more.
According to Ms. Segal, the venue is a gorgeous, private Chateau just steps away from the famed Chateau Marmont -- a 4-story Spanish Castle that will captivate celebrity guests with its handmade custom furniture, 20 foot hand carved ceilings, elevator, spa, billiard room, glass fire pit, relaxation room, 18-seat dining room table, chef's kitchen, and its very own bell tower!
There is much buzz about this event, which is slated to be Melanie's best to date. Stay tuned to The LA Report for more details.
May 28-29, 2009: Melanie Segal’s 5th Annual Celebrity Gift & Charity House. Hollywood, CA. PR contact: Melanie Segal, Platinum Publicity. www.platinumpublicity.com. A TLR Featured Event.
Sunday, April 26, 2009
APR 26: COLCOA CLOSING DAY AT DGA; ANNUAL FRENCH FILM FEST FEATURES FREE FUN FOR ALL
Celebrate the 13th anniversary of COL•COA on April 26th with:
The official COL•COA Short Film Competition – FREE ADMISSION
Two surprise reruns - FREE ADMISSION
The anticipated North-American premiere of Welcome – $5 admission
The drawing of the Win a Trip to Paris contest
Coffee & cake party.
More info: http://www.colcoa.org/2009/events/sunday.asp
The official COL•COA Short Film Competition – FREE ADMISSION
Two surprise reruns - FREE ADMISSION
The anticipated North-American premiere of Welcome – $5 admission
The drawing of the Win a Trip to Paris contest
Coffee & cake party.
More info: http://www.colcoa.org/2009/events/sunday.asp
Sunday, April 5, 2009
IN THE AGE OF OBAMA, IS AMOS 'n' ANDY STILL "RACIST" OR WAS IT A COMEDY MILESTONE WORTH A SECOND LOOK?
Event Listing by Don Rose
On now until 4.26.09 is the 14th iteration of the UCLA Festival of Preservation, when the UCLA Film & Television Archive presents films preserved by its world-renowned preservation department. The Festival again offers a veritable mixture of the ancient and the modern, silent masterpieces and sound diversions, fictional shorts and full-length documentaries.
On tap for Monday April 6 is a double bill at the Hammer, starting with the first feature film by Amos 'n' Andy, once the biggest stars on radio.
Here is a description of the comedy duo and their film debut from the webpage http://www.cinema.ucla.edu/calendar/calendardetails.aspx?details_type=2&id=323:
Monday April 6 2009, 7:30PM ( Buy Ticket )
Preservation funded by Rich Correll
CHECK AND DOUBLE CHECK (1930) Directed by Melville Brown
By 1930, NBC's "Amos ‘n' Andy" was a radio phenomenon broadcasting six nights a week to over 30 million listeners. With interest bordering on a national craze, anticipation for the team's heavily promoted film debut was high. Photoplay predicted, "Fifty million Amos ‘n' Andy fans [would] mob the theaters to see their idols for the first time." Viewed three-quarters of a century later, the film offers an invaluable glimpse into the complex, indelicate racial dynamics of the Depression era. The film is also notable as the Hollywood feature debut of composer and bandleader Duke Ellington.
RKO. Producer: William LeBaron. Screenplay: Bert Kalmar, J. Walter Ruben, Harry Ruby. Cinematographer: William Marshall. Editor: Claude Berkeley. Cast: Freeman F. Gosden, Charles J. Correll, Sue Carol, Irene Rich, Ralf Harolde. 35mm, 71 min.
By 1930, NBC's "Amos ‘n' Andy" was a radio phenomenon broadcasting six nights a week to over 30 million listeners. With interest bordering on a national craze, anticipation for the team's heavily promoted film debut was high. Photoplay predicted, "Fifty million Amos ‘n' Andy fans [would] mob the theaters to see their idols for the first time." Viewed three-quarters of a century later, the film offers an invaluable glimpse into the complex, indelicate racial dynamics of the Depression era. The film is also notable as the Hollywood feature debut of composer and bandleader Duke Ellington.
RKO. Producer: William LeBaron. Screenplay: Bert Kalmar, J. Walter Ruben, Harry Ruby. Cinematographer: William Marshall. Editor: Claude Berkeley. Cast: Freeman F. Gosden, Charles J. Correll, Sue Carol, Irene Rich, Ralf Harolde. 35mm, 71 min.
More info on Amos 'n' Andy and their first movie can be found at the website http://xroads.virginia.edu/~1930s/radio/amos/film/film.html, along with more photos and analysis. Here is a sample:
"I can recall walking past motion picture theaters and seeing signs promising to stop the movie and turn on the radio when it came time for the show." -Jack Benny
Although radio legend Jack Benny was discussing the popularity of the Amos 'n' Andy radio show in the above quote, one can only wonder what happened when Correll and Gosden's first (and last) feature film was being screened when the radio program came on. For the sake of the blackface duo, it is hoped theater owners stopped the projector and turned on the radio to remind fans why they had come to sit through this screen disappointment in the first place.
"Check and Double-Check", released in 1930 by RKO pictures, was a heavily promoted critical and commercial disappointment. Amos and Andy are actually secondary players in their own movie. According to Melvin Ely, producers feared that Correll and Gosden's fifteen minute radio shows would be difficult to carry a full-length feature and so, they supplemented the duo with a love triangle between three white people (including the son of Amos and Andy's former employer), a haunted house, and a missing will.
And here is the other classic movie on the bill for Monday:
Saturday, March 28, 2009
MAR 28: MERCEDES BENZ OF CALABASAS TO HOST GLAMOROUS PREMIERE PARTY FOR METHODFEST, WITH STELLAR CELEB LINEUP EXPECTED TO ATTEND
Event Preview - posted by Don Rose
Mercedes Benz of Calabasas has signed on as the exclusive automotive sponsor (Platinum Sponsor) of The Method Fest Film Festival, and will host a glamorous Premiere Party at its newly designed facility on Saturday, March 28th, 2009 following the screening of a top premiere film, festival organizers recently announced.
“This is going to be the most spectacular and lavish extravaganza in the Festival history,” stated Don Franken, Executive Director of The Method Fest. “It's Hollywood coming to Calabasas!”
The Premiere Party is expected to be a gathering of the “who's who” of the region, with many celebrities from the film and entertainment industry invited and expected to attend. They will not have to travel far, as many live in Calabasas, Hidden Hills and the surrounding communities. Also attending will be top filmmakers and stars from the 2009 Method Fest Film Festival.
“Mercedes-Benz, always a ‘star' with the entertainment industry, is proud to support a prestigious festival like The Method Fest, whose honorees receive Oscar nominations,” said Mike Rich, General Manager of Mercedes Benz of Calabasas. “Our dealership is proud to support the community. We are under new ownership, and this event, is also a wonderful way to showcase our beautiful facility," stated Rich.
The Premiere Party will be produced by Calabasas-based Sacks Productions, which puts on parties following major entertainment industry events (Oscars, Grammy's), corporate events, and private events for major celebrities. Sacks Productions worked with Mercedes corporate on the Grammy Jam, when Mercedes released its R-Class car and sponsored the National Academy of Recording Arts and Sciences.
The list of celebrities expected to attend include: Kellan Lutz (Twilight), Michael Chiklis (The Wire) Patrick Kilpatrick (Minority Report, Under Siege 2), Teresa Russell (16 To Life, Spiderman 3, Wild Things) Sean Young (Bladerunner, Reno 911, Signal Lost) Adrienne Janic (TLC’s “OverHaulin’”), Tony Todd (Dockweiller, 24, Candyman) Evan Handler (Sex And The City) Deniece Williams (Grammy Award-winning singer, songwriter, Producer "Let's Hear It for the Boy," "It's Gonna Take a Miracle”) John Saxon (Old Dogs, Nightmare on Elmstreet, From Dusk Til Dawn) Khloe Kardashian, Jaime Gomez (16 to Life, Training Day) Blu Cantrell (Grammy nominated R&B singer), Keyshawn Johnson (New York Jets, ESPN Announcer), Lev Gorn (The Wire) Carmen Perez, Eddie Reasoner (Award Winning Singer / Songwriter from Nashville) Chad Lindberg (Supernatural, Push), Stewart Hayden Butler (16 To Life), Shauna Sands Lamas (Playboy Playmate) Hallee Hirsh (16 To Life,You Got Mail, Grey’s Anatomy), Heather Locklear, Anya Monzikova (Deal or No Deal), Julia Kurbatova (“Face of Chopard”) Evelyn Victoria (Singer), Bobbi Sue Luther (“Curb Your Enthusiam”) Leyla Milani (Deal or No Deal), Isabella Grosso (House Bunny), Ron Jeremy (Finding Bliss) Jenilee Harrison (Three’s Company, Dallas) Guillermo Huesca, Latin TV Host (Trato Hecho), Paul BenVictor (Anytown), Frank Kramer (Heidi, Frosty & Frank), Larry Eudene (Metropolitan, Crank), Sofia Milos (CSI Miami), Zee James (Epic Movie), Jeff Riggs, and Kat Kramer.
About Methodfest
The 11th annual Method Fest independent film festival, the only major U.S. film festival focusing on acting, runs from March 26 to April 2, 2009. Named after the famous "Method" school of acting, which revolutionized the approach in acting, particularly in film, The Method Fest ( www.methodfest.com ) is a festival of discovery, showcasing breakout acting performances by emerging actors in character and story-driven films.
The Method Fest's mission is to launch the works of young, fresh filmmakers and discover breakthrough performances by bold, new actors. More than 120 films that have premiered or played at The Method Fest, including recent box office hits Waitress and The Visitor, have received theatrical, TV or video distribution.
The Method Fest has also taken great delight in sharing career-defining performances of established performers and in showcasing a few chosen well-known directors to screen at the festival. Richard Jenkins and Melissa Leo, who recently were nominated for Oscars for Best Actor in a Leading Role and Best Actress in a Leading Role won special career awards as well as Best Actor / Best Actress Awards at the 2008 Method Fest. They are the latest names on the list of festival honorees that also includes: Christopher Plummer, Michael Madsen (2007); Julie Harris, Ruby Dee, Kevin Pollak, David Carradine, Martin Landau, Crispin Glover (2005); Dennis Hopper, Martha Coolidge, Chazz Palminteri, Ronnie Yeskell (2004); Peter Falk, Lainie Kazan, Diane Ladd, Henry Jaglom, Mark Rydell, Agnieszka Holland (2003); Rod Steiger, Mali Finn (2002); James Earl Jones, Jon Jacobs (2001); Karen Black (2000); Maximilian Schell (1999).
The Method Fest is sponsored by Mercedes Benz of Calabasas and the City of Calabasas. Presenting media sponsors include Time Warner Cable, Charter Communications, LA.Com and the L.A. Daily News. Major sponsors include Sony, Christie, Modern VideoFilm, and Country Inn & Suites. Festival supporters include Final Draft, Stella Artois, Barefoot Winery, San Fernando Valley Economic Alliance / Valley of the Stars, Calabasas Chamber of Commerce, MasterSource, FilmFinders, Leonis Adobe, Fleming's, Sagebrush Cantina, Arnie Morton's Famous Steakhouse, Chapter 8 Steakhouse and Lounge, Toni Koch Productions, Songs Alive, Pepsi, Creative Handbook, Withoutabox, Friends of Film, Ice Age, MoneyMailer and IZZE.
About Mercedes Benz of Calabasas
Located at 24181 Calabasas Road, the renovated and expanded Mercedes Benz of Calabasas facility is, at 155,000 square feet, one of the largest authorized Mercedes-Benz dealership across the entire United States.
Mercedes Benz of Calabasas has signed on as the exclusive automotive sponsor (Platinum Sponsor) of The Method Fest Film Festival, and will host a glamorous Premiere Party at its newly designed facility on Saturday, March 28th, 2009 following the screening of a top premiere film, festival organizers recently announced.
“This is going to be the most spectacular and lavish extravaganza in the Festival history,” stated Don Franken, Executive Director of The Method Fest. “It's Hollywood coming to Calabasas!”
The Premiere Party is expected to be a gathering of the “who's who” of the region, with many celebrities from the film and entertainment industry invited and expected to attend. They will not have to travel far, as many live in Calabasas, Hidden Hills and the surrounding communities. Also attending will be top filmmakers and stars from the 2009 Method Fest Film Festival.
“Mercedes-Benz, always a ‘star' with the entertainment industry, is proud to support a prestigious festival like The Method Fest, whose honorees receive Oscar nominations,” said Mike Rich, General Manager of Mercedes Benz of Calabasas. “Our dealership is proud to support the community. We are under new ownership, and this event, is also a wonderful way to showcase our beautiful facility," stated Rich.
The Premiere Party will be produced by Calabasas-based Sacks Productions, which puts on parties following major entertainment industry events (Oscars, Grammy's), corporate events, and private events for major celebrities. Sacks Productions worked with Mercedes corporate on the Grammy Jam, when Mercedes released its R-Class car and sponsored the National Academy of Recording Arts and Sciences.
The list of celebrities expected to attend include: Kellan Lutz (Twilight), Michael Chiklis (The Wire) Patrick Kilpatrick (Minority Report, Under Siege 2), Teresa Russell (16 To Life, Spiderman 3, Wild Things) Sean Young (Bladerunner, Reno 911, Signal Lost) Adrienne Janic (TLC’s “OverHaulin’”), Tony Todd (Dockweiller, 24, Candyman) Evan Handler (Sex And The City) Deniece Williams (Grammy Award-winning singer, songwriter, Producer "Let's Hear It for the Boy," "It's Gonna Take a Miracle”) John Saxon (Old Dogs, Nightmare on Elmstreet, From Dusk Til Dawn) Khloe Kardashian, Jaime Gomez (16 to Life, Training Day) Blu Cantrell (Grammy nominated R&B singer), Keyshawn Johnson (New York Jets, ESPN Announcer), Lev Gorn (The Wire) Carmen Perez, Eddie Reasoner (Award Winning Singer / Songwriter from Nashville) Chad Lindberg (Supernatural, Push), Stewart Hayden Butler (16 To Life), Shauna Sands Lamas (Playboy Playmate) Hallee Hirsh (16 To Life,You Got Mail, Grey’s Anatomy), Heather Locklear, Anya Monzikova (Deal or No Deal), Julia Kurbatova (“Face of Chopard”) Evelyn Victoria (Singer), Bobbi Sue Luther (“Curb Your Enthusiam”) Leyla Milani (Deal or No Deal), Isabella Grosso (House Bunny), Ron Jeremy (Finding Bliss) Jenilee Harrison (Three’s Company, Dallas) Guillermo Huesca, Latin TV Host (Trato Hecho), Paul BenVictor (Anytown), Frank Kramer (Heidi, Frosty & Frank), Larry Eudene (Metropolitan, Crank), Sofia Milos (CSI Miami), Zee James (Epic Movie), Jeff Riggs, and Kat Kramer.
About Methodfest
The 11th annual Method Fest independent film festival, the only major U.S. film festival focusing on acting, runs from March 26 to April 2, 2009. Named after the famous "Method" school of acting, which revolutionized the approach in acting, particularly in film, The Method Fest ( www.methodfest.com ) is a festival of discovery, showcasing breakout acting performances by emerging actors in character and story-driven films.
The Method Fest's mission is to launch the works of young, fresh filmmakers and discover breakthrough performances by bold, new actors. More than 120 films that have premiered or played at The Method Fest, including recent box office hits Waitress and The Visitor, have received theatrical, TV or video distribution.
The Method Fest has also taken great delight in sharing career-defining performances of established performers and in showcasing a few chosen well-known directors to screen at the festival. Richard Jenkins and Melissa Leo, who recently were nominated for Oscars for Best Actor in a Leading Role and Best Actress in a Leading Role won special career awards as well as Best Actor / Best Actress Awards at the 2008 Method Fest. They are the latest names on the list of festival honorees that also includes: Christopher Plummer, Michael Madsen (2007); Julie Harris, Ruby Dee, Kevin Pollak, David Carradine, Martin Landau, Crispin Glover (2005); Dennis Hopper, Martha Coolidge, Chazz Palminteri, Ronnie Yeskell (2004); Peter Falk, Lainie Kazan, Diane Ladd, Henry Jaglom, Mark Rydell, Agnieszka Holland (2003); Rod Steiger, Mali Finn (2002); James Earl Jones, Jon Jacobs (2001); Karen Black (2000); Maximilian Schell (1999).
The Method Fest is sponsored by Mercedes Benz of Calabasas and the City of Calabasas. Presenting media sponsors include Time Warner Cable, Charter Communications, LA.Com and the L.A. Daily News. Major sponsors include Sony, Christie, Modern VideoFilm, and Country Inn & Suites. Festival supporters include Final Draft, Stella Artois, Barefoot Winery, San Fernando Valley Economic Alliance / Valley of the Stars, Calabasas Chamber of Commerce, MasterSource, FilmFinders, Leonis Adobe, Fleming's, Sagebrush Cantina, Arnie Morton's Famous Steakhouse, Chapter 8 Steakhouse and Lounge, Toni Koch Productions, Songs Alive, Pepsi, Creative Handbook, Withoutabox, Friends of Film, Ice Age, MoneyMailer and IZZE.
About Mercedes Benz of Calabasas
Located at 24181 Calabasas Road, the renovated and expanded Mercedes Benz of Calabasas facility is, at 155,000 square feet, one of the largest authorized Mercedes-Benz dealership across the entire United States.
Thursday, March 26, 2009
MAR 26 - APR 2: METHODFEST 2009 RETURNS TO CALABASAS; 11th ANNUAL FILM FESTIVAL FOCUSES ON THE ACTOR, FEATURES SCREENINGS, PARTIES AND INDIE MUSIC
Featured Event Listing - Posted by Don Rose
The 11th annual Method Fest independent film festival, the only major U.S. film festival focusing on acting, runs from March 26 to April 2, 2009. Named after the famous "Method" school of acting, which revolutionized the approach in acting, particularly in film, The Method Fest ( www.methodfest.com ) is a festival of discovery, showcasing breakout acting performances by emerging actors in character and story-driven films.
The Method Fest's mission is to launch the works of young, fresh filmmakers and discover breakthrough performances by bold, new actors. More than 120 films that have premiered or played at The Method Fest, including recent box office hits Waitress and The Visitor, have received theatrical, TV or video distribution.
The Method Fest has also taken great delight in sharing career-defining performances of established performers and in showcasing a few chosen well-known directors to screen at the festival. Richard Jenkins and Melissa Leo, who recently were nominated for Oscars for Best Actor in a Leading Role and Best Actress in a Leading Role won special career awards as well as Best Actor / Best Actress Awards at the 2008 Method Fest. They are the latest names on the list of festival honorees that also includes: Christopher Plummer, Michael Madsen (2007); Julie Harris, Ruby Dee, Kevin Pollak, David Carradine, Martin Landau, Crispin Glover (2005); Dennis Hopper, Martha Coolidge, Chazz Palminteri, Ronnie Yeskell (2004); Peter Falk, Lainie Kazan, Diane Ladd, Henry Jaglom, Mark Rydell, Agnieszka Holland (2003); Rod Steiger, Mali Finn (2002); James Earl Jones, Jon Jacobs (2001); Karen Black (2000); Maximilian Schell (1999).
The Method Fest is sponsored by Mercedes Benz of Calabasas and the City of Calabasas. Presenting media sponsors include Time Warner Cable, Charter Communications, LA.Com and the L.A. Daily News. Major sponsors include Sony, Christie, Modern VideoFilm, and Country Inn & Suites. Festival supporters include Final Draft, Stella Artois, Barefoot Winery, San Fernando Valley Economic Alliance / Valley of the Stars, Calabasas Chamber of Commerce, MasterSource, FilmFinders, Leonis Adobe, Fleming's, Sagebrush Cantina, Arnie Morton's Famous Steakhouse, Chapter 8 Steakhouse and Lounge, Toni Koch Productions, Songs Alive, Pepsi, Creative Handbook, Withoutabox, Friends of Film, Ice Age, MoneyMailer and IZZE.
The 11th annual Method Fest independent film festival, the only major U.S. film festival focusing on acting, runs from March 26 to April 2, 2009. Named after the famous "Method" school of acting, which revolutionized the approach in acting, particularly in film, The Method Fest ( www.methodfest.com ) is a festival of discovery, showcasing breakout acting performances by emerging actors in character and story-driven films.
The Method Fest's mission is to launch the works of young, fresh filmmakers and discover breakthrough performances by bold, new actors. More than 120 films that have premiered or played at The Method Fest, including recent box office hits Waitress and The Visitor, have received theatrical, TV or video distribution.
The Method Fest has also taken great delight in sharing career-defining performances of established performers and in showcasing a few chosen well-known directors to screen at the festival. Richard Jenkins and Melissa Leo, who recently were nominated for Oscars for Best Actor in a Leading Role and Best Actress in a Leading Role won special career awards as well as Best Actor / Best Actress Awards at the 2008 Method Fest. They are the latest names on the list of festival honorees that also includes: Christopher Plummer, Michael Madsen (2007); Julie Harris, Ruby Dee, Kevin Pollak, David Carradine, Martin Landau, Crispin Glover (2005); Dennis Hopper, Martha Coolidge, Chazz Palminteri, Ronnie Yeskell (2004); Peter Falk, Lainie Kazan, Diane Ladd, Henry Jaglom, Mark Rydell, Agnieszka Holland (2003); Rod Steiger, Mali Finn (2002); James Earl Jones, Jon Jacobs (2001); Karen Black (2000); Maximilian Schell (1999).
The Method Fest is sponsored by Mercedes Benz of Calabasas and the City of Calabasas. Presenting media sponsors include Time Warner Cable, Charter Communications, LA.Com and the L.A. Daily News. Major sponsors include Sony, Christie, Modern VideoFilm, and Country Inn & Suites. Festival supporters include Final Draft, Stella Artois, Barefoot Winery, San Fernando Valley Economic Alliance / Valley of the Stars, Calabasas Chamber of Commerce, MasterSource, FilmFinders, Leonis Adobe, Fleming's, Sagebrush Cantina, Arnie Morton's Famous Steakhouse, Chapter 8 Steakhouse and Lounge, Toni Koch Productions, Songs Alive, Pepsi, Creative Handbook, Withoutabox, Friends of Film, Ice Age, MoneyMailer and IZZE.
Sunday, March 15, 2009
MAR 15: Z-DAY HAS LANDED IN MARINA DEL REY; ZEITGEIST MOVEMENT PRESENTS DAYLONG EVENT IN HONOR OF "ZEITGEIST" MOVIE AND ADDENDUM
Event Listing - Posted by Don Rose
Here is a listing I was sent that sounds like an enlightening event:
~ Connect with a New Possibility for Humanity ~
With the "global economic crisis" unfolding around us, people are asking for answers. The Zeitgeist Movement is a tool for awareness and a forum for change. Please join us this Sunday for a worldwide gathering and action day, to expand awareness and get ourselves into motion. We are the ones we've been waiting for!
The Annual Meeting Day for The Zeitgeist Movement Worldwide - Z-Day - is March 15th each year. In 2008, over 1800 Z-Day events took place, in 70 countries. This year it's all about impact: delivering the message of the Zeitgeist Movement TheZeitgeistMovement.com, and incorporating the vision of The Venus Project.
WHAT: Z-Day (Zeitgeist Day), Los Angeles, CA (Westside)
WHEN: Sunday, March 15th, 1:30pm - 6:30pm
NOTE: Event is limited to the first 100 people to register, so RSVP ASAP!
WHERE: MODERN OM 13452 Washington Blvd., Marina Del Rey, CA 90292
Just east of Lincoln Blvd., near Venice Beach
PARKING: At Costco (across the street from Modern Om) or on the street
FEE: Suggested donation of $10+, to support the work of The Venus Project and this event
Event Program:
Doors open at 1:30pm
1:45pm - 3:45pm Screening: Zeitgeist: Addendum
(or watch it beforehand at http://www.ZeitgeistMovie.com)
4:00pm - 6:30pm: LIVE Global Webcast from New York of The Zeitgeist Movement Presentation, followed by Q & A and discussion with Jacque Fresco & Roxanne Meadows of The Venus Project and Zeitgeist filmmaker Peter Joseph.
The Zeitgeist Movement, as of this writing, has attracted over 145,000 members worldwide. We expect this to grow very quickly after Zeitgeist Day. For more information and other locations worldwide, visit: http://www.TheZeitgeistMovement.com.
PLEASE support The Zeitgeist Movement with your Donations at the event. Feel free to forward this event to friends and colleagues!
Here is a listing I was sent that sounds like an enlightening event:
~ Connect with a New Possibility for Humanity ~
With the "global economic crisis" unfolding around us, people are asking for answers. The Zeitgeist Movement is a tool for awareness and a forum for change. Please join us this Sunday for a worldwide gathering and action day, to expand awareness and get ourselves into motion. We are the ones we've been waiting for!
The Annual Meeting Day for The Zeitgeist Movement Worldwide - Z-Day - is March 15th each year. In 2008, over 1800 Z-Day events took place, in 70 countries. This year it's all about impact: delivering the message of the Zeitgeist Movement TheZeitgeistMovement.com, and incorporating the vision of The Venus Project.
WHAT: Z-Day (Zeitgeist Day), Los Angeles, CA (Westside)
WHEN: Sunday, March 15th, 1:30pm - 6:30pm
NOTE: Event is limited to the first 100 people to register, so RSVP ASAP!
WHERE: MODERN OM 13452 Washington Blvd., Marina Del Rey, CA 90292
Just east of Lincoln Blvd., near Venice Beach
PARKING: At Costco (across the street from Modern Om) or on the street
FEE: Suggested donation of $10+, to support the work of The Venus Project and this event
Event Program:
Doors open at 1:30pm
1:45pm - 3:45pm Screening: Zeitgeist: Addendum
(or watch it beforehand at http://www.ZeitgeistMovie.com)
4:00pm - 6:30pm: LIVE Global Webcast from New York of The Zeitgeist Movement Presentation, followed by Q & A and discussion with Jacque Fresco & Roxanne Meadows of The Venus Project and Zeitgeist filmmaker Peter Joseph.
The Zeitgeist Movement, as of this writing, has attracted over 145,000 members worldwide. We expect this to grow very quickly after Zeitgeist Day. For more information and other locations worldwide, visit: http://www.TheZeitgeistMovement.com.
PLEASE support The Zeitgeist Movement with your Donations at the event. Feel free to forward this event to friends and colleagues!
THE GOAL: To trigger an unprecedented global awareness of a new possibility for humanity. The Zeitgeist Movement 1.5 hour DVD Digital Slideshow is a video version of the 'Activist and Orientation Guide'. This presentation covers the most important points of The Movement and is Narrated by the award-winning Filmmaker Peter Joseph.
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